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Circus is a top-rate pop album that, with a little bit of justice, will be afforded the same sort of longevity as her brilliant early singles.
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The singer does double duty as a dance diva and brokenhearted balladeer. It's no easy feat, but when Spears shoves aside the tabloid trauma and hooks up with the right producers--on this album it's Guy Sigsworth, Danja, Dr. Luke and Max Martin--she is in a class of her own.
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Halfway through, Circus shifts from defiant booty calls to subtler material; suddenly, it's a first-rate electro-pop album.
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For better or worse, Spears is, as she says on the title track, "a put-on-a-show type of girl," and when she sticks to that credo, Circus works.
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The clubby, adventurous pop on her sixth album--her first since getting committed and losing custody of her kids--would have made a fine follow-up to 2003's In the Zone.
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Most of her new songs are crisp, cunning dance-pop with a touch of schoolyard singsong. Just before they grow mechanical, they’re zapped with new effects or catchy melodic interludes.
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The fistful of dance tunes are fashionably stern, saddled with ominous strut and anonymous throb. But Britney is a palpable presence here, a flesh-and-blood singer.
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Tipping a decade long residency within the music industry, Spears’ “comeback” is more so a restoration than a reinvention.
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If Circus had ended at eight songs, it would be a curveball pop classic but sadly--as with recent Beyonce, Alesha Dixon and Pussycat Dolls releases--the album bloats to twice that length.
Awards & Rankings
User score distribution:
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Positive: 528 out of 638
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Mixed: 42 out of 638
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Negative: 68 out of 638
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JamesB.Jan 5, 2009I love it. Amazing!
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Dec 26, 2022Her second best album (after Blackout), i grew up with “Womanizer” “Radar” and “If U Seek Amy”
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Sep 7, 2022