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Jan 31, 2023These very personal surges of sound swell in the ether, seeking out like-minded listeners. His “Audio Virus” – a collection of electronic hardware items that range from the esoteric to the obsolete – purrs like a living being. The hums and crackles it emits, a constant feature as one track slides into the next. Whilst that sounds cold and machine-like, the lunges of notes often reach heart-wrenching heights.
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Jan 31, 2023If his last album 2019’s Occulting Disk seemed designed to alienate, Compositions for all its formality and repetition has a far more human aspect. Lugubrious yes, sometimes harsh but its granular beauty has a mesmeric effect that lingers.
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Jan 31, 2023But even as he eschews evocative song titles and instrumentation, Compositions nonetheless makes for a haunting, gloomy, and often challenging experience. And when the repetitive throbs finally subside after 41 minutes, the silence left in their wake feels nothing short of monumental.
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Jan 31, 2023In some ways, Compositions feels more like a film score than other Deathprod albums, not quite resembling variations on a theme, but aurally illustrating a specific scene with each track. Unfortunately, nothing here really expands past being interesting sounds or settings, and these pieces don't elevate to the haunting, mesmerizing level of Deathprod's best work.