Deafman Glance

His newfound knack for experimentation does take Deafman Stare into some uncharted territory, but as the classic shuffle of 22 Days attests, his tangential compositions wouldn't resonate as proficiently if they also didn't capture the majesty of his nimble performances.

A grower, this. ... It's Tim Buckley to Beefheart to Bert Jansch and beyond. [Jun 2018, p.87]

With its fascination quotient running so high, Walker's musical restlessness generously offers a sense of welcome anticipation that listeners can return to almost endlessly.

Deafman Glance picks up the thread he's laid down with the stronger songs on Golden Sings That Have Been Sung. [Jun 2018, p.34]

A superbly crafted reiteration of Walker's aesthetic, with the Chicago scene influences of 2016's Golden Sings That Have Been Sung given greater prominence. [Jun 2018, p.90]

A preoccupied and deeply immersed heart-art journal, graced with discreetly nailed-on band performances while simultaneously worrying away at its own edges.

His music is heavier and more complex than it used to be, the arrangements harsher and stranger. And then there’s his singing: Once a competent and breezy instrument, Walker’s voice has evolved into a throaty speak-sing that sounds depleted, as though it’s been scooped out of itself. These shifts give the record a deeper emotional resonance than anything else he’s put his name to.

Walker is still ultimately a troubadour at heart, a keeper of old languages retelling us stories from years past, and Deafman Glance shows that he’s continuing to sharpen his tongue.

Deafman Glance feels like attempting to recall a half-remembered dream while in the throws of a gentle hangover, making it one for lazy days and Sundays. Consequently, the spoils of these incorporeal meditations are misty and transitory, and while they may not dazzle, they do have a tranquil charm and unique character.