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Classic Rock MagazineOct 17, 2018This Church is worth a visit. [Nov 2018, p.85]
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Oct 9, 2018It’s throwback-y in spades, but bears such a personal stamp in a world of cookie-cutter male competitors, that it still feels like Church is moving country forward.
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Oct 4, 2018It’s a warm, appealingly ragged collection suffused with wisdom and reassurance.
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Oct 4, 2018Instead of going big, the way he did on 2014's burly Outsiders, he's keeping things small, a decision that highlights the many savvy ways he expands American musical traditions even as he adheres to them. Perhaps these variations on themes are subtle but this confident sense of sonic adventure when combined with Church's expert craft results in a satisfying album.
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Oct 4, 2018He offers up beautifully crafted country that uses rock, gospel and blues influences to push gently at the genre’s boundaries: sweet guitar licks, thrashing drums and Church’s voice straining at the top end of his range.
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Oct 15, 2018This album seems smaller than every record he’s made since 2011’s Chief. That modesty is the key to its very appeal: This is an album designed not for the moment but the long haul.
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Oct 5, 2018For better or worse, his new LP sidesteps largely hot-button debates. One exception is its opener, “The Snake,” a slithering, unplugged, dub-tinged parable suggesting strivers of all political shades consider their real enemies.
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Oct 4, 2018At his best, he updates the Allman Brothers, splicing in just enough of the Bakersfield sound, without sounding nostalgic or dated.
User score distribution:
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Positive: 6 out of 9
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Mixed: 2 out of 9
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Negative: 1 out of 9
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Jul 18, 2020
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Nov 4, 2018
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Oct 15, 2018His best album yet. I can listen to it over and over. The mainstream radio listeners won't love it, but EC and I don't give a rip!