• Record Label: Atlantic
  • Release Date: Jun 3, 2014
Metascore
60

Mixed or average reviews - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 12
  2. Negative: 1 out of 12
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  1. Morrison, Spector, Doherty, Cobain; The Orwells know their roots and they know how that story plays out.
  2. Jun 9, 2014
    75
    To their credit, The Orwells own their brattiness, but they also know their way around a good hook. That’s a devastating combo, and in the case of this album, it makes for a more-than-satisfying modern rock record that’s both carefully crafted and shot straight from the hip.
  3. Jun 2, 2014
    70
    Like the late-night cautionary tales that play out in their songs, the real key to enjoying The Orwells is to just not overthink it and listen and enjoy the music, because time spent pontificating about their age is time that could be better used for partying.
  4. Jun 3, 2014
    65
    There is a little too much grace and not enough diss.
  5. 65
    It’s an album that displays great faith in the late 70s/early 80s nexus of bar rock, punk, and 50s nostalgia, meaning that its melodies, riffs, and aesthetic choices often charm (to a point), even as its narratives mystify.
  6. Jun 2, 2014
    63
    The gussied-up production--by respected names such as TV on the Radio's Dave Sitek, Chris Coady (who worked with another up-and-coming Chicago group, Smith Westerns) and Jim Abbiss (Arctic Monkeys)--subtracts the charming sloppiness of 2012 debut "Remember When" and amps up the popcraft, but loses some of the energy.
  7. Jun 2, 2014
    62
    Ultimately, they're at their most engaging when maintaining an ironic distance between subject matter and tone.
  8. Uncut
    Jun 26, 2014
    60
    The Orwells ape highlights of the last 25 years of indie rock on their second album. [Aug 2014, p.78]
  9. Q Magazine
    Jun 13, 2014
    60
    It's fun for sure but perhaps not quite the game-changer everyone--or, at least, the band themselves--was hoping for. [Jul 2014, p.112]
  10. Jun 2, 2014
    60
    You just want them to cut loose, and they never do.
  11. Jun 2, 2014
    50
    The Orwells and the very much earnest Disgraceland will be invigorating solace for anyone who gets a kick out of deadbeat rock musicians and the illusions they provide of refuge and reprieve.
  12. Alternative Press
    Jun 4, 2014
    10
    The vocals are almost hilariously monotone, the lyrics loaded with crass, elementary rhymes, and the instrumentation is simply dreadful. [Jul 2014, p.98]
User Score
6.9

Generally favorable reviews- based on 15 Ratings

User score distribution:
  1. Positive: 11 out of 15
  2. Negative: 2 out of 15
  1. Feb 14, 2018
    10
    This album is absolutely great.

    You can hear the inspirations flowing through your speakers. The Orwells are a bunch of 19 and 20 year
    This album is absolutely great.

    You can hear the inspirations flowing through your speakers.
    The Orwells are a bunch of 19 and 20 year olds who understand what a 19 and 20 year old is supposed to sound like.

    They're perfectly summarizing the spirit of the generation born in the mid 1990s.
    They're mad, they're sarcastic, but they absolutely know how good they are.

    Critics mistake their careless attitude with arrogance, but this is rock, they're not out there writing young adult fiction novels.
    Full Review »
  2. Jul 2, 2014
    8
    This is a fun album! I immediately thought of the Black Lips when I first heard it, for some reason. I'd guess a Black Lips meets ModestThis is a fun album! I immediately thought of the Black Lips when I first heard it, for some reason. I'd guess a Black Lips meets Modest Mouse is an appropriate comparison at times ... but at others, more like the Hives meet Iggy Pop. Intriguing combos, right? Maybe even Stroke-ish at times. ... whatevs - if you like carefree rock, give it a go. Full Review »