Everything Is Alive

Slowdive has outdone itself on its fifth full-length, Everything Is Alive, which elevates its pre-breakup work in ways that feel nearly unimaginable. Indeed, Slowdive in 2023 is capable of writing both the hands-down most affecting song of its career (“Andalucia Plays”) as well as its most in-your-face (“The Slab”), while also incorporating modular synths as foundational elements in its creative process for the first time (they’re the first notes you hear on opener “Shanty”).

everything is alive, prioritizes progression and refuses to stay stagnant. Sure, Slowdive glance back at their past every now and again, but it’s clear that their focus is fully set on the future.

everything is alive feels practically self-contained, like a Slowdive record blissfully unaware it is a Slowdive record, most likely for the better. Simultaneously, the fact that everything is alive could have been a very different album is hard to dismiss. The songs that contain explicit traces of this minimal electronic framework are easily the strongest cuts and, most importantly, feel like a productive midway point between “Slowdive Slowdiving” and whatever Pygmalion worshippers keep hoping for.

If there’s evidence of musical progression, meanwhile, it comes via an apparently new-found fixation Neil has with modular synths; he deploys them tastefully here, perhaps to most striking effect on ‘Chained to a Cloud’. In general, though, ‘everything is alive’ very much gives off the sense that the slower gestations lead to the richest rewards.

Enchanting and illuminating, ‘everything is alive’ proves that Slowdive’s pulse is still beating strong.