Metascore
79

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 10
  2. Mixed: 0 out of 10
  3. Negative: 0 out of 10
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  1. Mar 22, 2016
    86
    The sweeping brilliance of that standout track ["In Durance Vile"], though, is matched in emotive resonance on nearly every piece on Fleeting.
  2. Apr 22, 2016
    80
    Frequently time-stopping as feeling triumphs over technique, Jones has a rarely-found natural way of displaying dazzling virtuosity. Mum would have been proud.
  3. Mar 18, 2016
    80
    Fleeting achieves something each Jones record has worked toward, to create a geography of sound, to make these notes from guitar and banjo feel like the creaks and groans of an old house, to make you picture the dust pluming off each plucked string, to see the motes drifting through sunlight pouring through a nearby window.
  4. Mar 15, 2016
    80
    Jones covers a lot of musical ground on this album, and it's all of high quality, confirming his place as one of the top-tier American Primitive guitarists.
  5. Mojo
    Mar 9, 2016
    80
    These 10 acoustic pieces hold a certain stillness within the variety of tempos, instruments and inspirations. [Apr 2016, p.89]
  6. Mar 9, 2016
    80
    Fleeting is therefore more intimate even than your average American primitive album, with the sounds of nature adding to the authenticity and naturalism of the music as opposed to intruding upon it.
  7. 75
    Fleeting is, in sum, an art in the sweet and wholesome worship of nature, it's comforting highs and dark, confusing depths encompassing all the brief human relationships it gives birth to and provides a stage for.
  8. Apr 1, 2016
    72
    All told, Fleeting isn't as distinct or as instant as its predecessors, particularly Jones' 2011 masterpiece, The Wanting.
  9. Uncut
    Mar 9, 2016
    70
    Fleeting, once again, is a loving, diligent and honest attempt by Jones to pay fingerpicking homage to his hero. [Apr 2016, p.74]
  10. The Wire
    Mar 9, 2016
    70
    The way Baird and Jones mix room tone with the intruding outdoors invites consideration of human impermanence, but the sweet affection that Jones's melodies impart wards off the blues. [Mar 2016, p.54]

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