Metascore
72

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 15 out of 21
  2. Negative: 0 out of 21
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  1. The Wire
    Nov 20, 2019
    60
    It’s definitely a mixed bag, but pays off with “The Dawn” in which Lipstate’s guitar exhales in tandem with a spoken admission of small hours frailty. [Dec 2019, p.53]
  2. Classic Rock Magazine
    Oct 3, 2019
    80
    Free is easily Iggy's most ambitiously left-field album since Zombie Birdhouse in 1982. [Oct 2019, p.90]
  3. Sep 27, 2019
    70
    Free is not as lyrically emotionally resonating as Blackstar but it evokes similar feelings. The reason that it doesn’t fully pack the same punch is that there is a sense that he cannot fully commit. It is a solid album, but just leaves you wondering slightly what could have been.
  4. Sep 12, 2019
    67
    The haziness of Free has its share of frustrations—as alluring as the pensive soundscapes are, it’s hard not to wish they were occasionally more sculpted—but there’s something curiously human and appealing about its ungainly nature.
  5. Sep 11, 2019
    70
    Though it’s not surprising that Iggy included a couple of left hooks, it hurts a little bit that the album doesn’t have more of the sing-speak poetry and post-rock dreaminess. He does it so well, but only about 22 minutes are dedicated to this sound. ‘James Bond’, in contrast, is a distraction from a compelling new direction.
  6. 80
    It's a moody, hazy, gloomy take on modern jazz. It’s also a return of Iggy Pop the elder statesman, the icon, the legend in his own lifetime. But, more than that, it provides a fitting end to a career, on his own terms, if that’s what he wants it to be.
  7. 60
    True to quixotic form, Free doesn’t build on the success of that record [2016’s Post Pop Depression], Iggy veering off at yet another tangent, courtesy of avant garde guitarist Noveller, aka Sarah Lipstate, and jazz trumpeter Leron Thomas.
  8. Sep 9, 2019
    60
    On an album centring around concepts of storytelling and reflection, Iggy Pop’s voice remains phenomenal. It always will. However, an underwhelming feeling lingers throughout 'Free', one which is hard to ignore.
  9. Sep 6, 2019
    63
    Even though the 33-minute album comes off as slight, Pop still manages to reaffirm his gift for integrating seemingly opposed impulses.
  10. Sep 6, 2019
    90
    It’s the uniquely sombre and contemplative Iggy Pop album we didn’t realise we needed.
  11. Sep 6, 2019
    70
    Freedom to Pop, at least on this album, is a certain restrained swagger. The guitars simmer, never boil. The bass swells, and the keyboards shimmer behind him. And all the while, Pop flexes his baritone, expressing himself more clearly than perhaps ever before.
  12. Sep 6, 2019
    80
    As a detour from rock & roll, Free is a fine and compelling study of the mind and mood of Iggy Pop at the age of 72, and if it's clearly the work of an older artist, that works to its favor, a pointed contrast to the abandon of his youth but with no less gravitas.
  13. Sep 6, 2019
    80
    On the whole, via his work and commentary, Iggy Pop has pushed our world to think and act differently, and he brings that same mission of liberation to himself on Free.
  14. Sep 6, 2019
    75
    Pop refuses to ossify and rest on his legacy, Free sees him with new companions: jazz trumpeter Leron Thomas and Noveller, the solo project of Brooklyn guitarist/filmmaker Sarah Lipstate.
  15. ‘Free’ is a liberating collection that unshackles the star from his past and his insecurities, and slowly cracks open a door to version of the future that will inevitably arrive when he’s ready. Wherever that journey takes him in this phase of his career, it’ll be an honour to witness.
  16. 80
    Free often feels like the messiest kind of improv, full of stream-of-consciousness expressions and storytelling that doesn’t follow any particular logic. But tracks like the tense “Glow in the Dark” or the sombre “The Dawn” are also oddly irresistible, loose, thoughtful and free-wheeling.
  17. Sep 5, 2019
    67
    It’s a late-career entry that can’t hold up to his priceless back catalog, but it’s also the work of a guy who at this point really couldn’t give a shit what people think. You’ll enjoy some tracks and soldier through others. But Iggy’s still here, and maybe that’s the most important takeaway of all.
  18. Uncut
    Sep 3, 2019
    80
    The intimate, minimal work done by his accomplices serves to channel Pop at his bleakest and most rueful. [Oct 2019, p.34]
  19. Mojo
    Sep 3, 2019
    60
    Free, in a good way, resembles his more esoteric work from that time, such as 1999's brooding Avenue B. [Oct 2019, p.88]
  20. Q Magazine
    Sep 3, 2019
    60
    Imperfect but never less than interesting. [Oct 2019, p.110]
  21. Sep 3, 2019
    40
    Unfortunately, for all but the hardcore, Free seems to baffle as much as it bewitches.
User Score
7.5

Generally favorable reviews- based on 13 Ratings

User score distribution:
  1. Positive: 9 out of 13
  2. Negative: 0 out of 13
  1. Sep 8, 2019
    6
    This is not a bad record but it lacks a clear direction. The fact Iggy Pop worked with Leron Thomas could make you think it's a a jazz recordThis is not a bad record but it lacks a clear direction. The fact Iggy Pop worked with Leron Thomas could make you think it's a a jazz record but it's not. There is a new-wave song, "Loves Missing", which is probably the best track on this record. There are a few fun albeit goofy tunes like "James Bond" and "Dirty Sanchez". And then, there's the whole B-side, which is almost entirely filled with ambient, jazzy soundscapes and spoken work. Iggy Pop reads Lou Reed's and Dylan Thomas' texts and you can't really go wrong with that sort of material but, ultimately, the entire record feels half-baked, the music having been insufficiently labored. It sounds like Iggy recording a podcast for NPR or the BBC rather than a full-fledged record. Maybe it's the sort of recreation he needed after the tenser Post Pop Depression but, ultimately, it feels like an underachievement after that beast of a record. For fans of the jazzy Iggy, I'd advise you to go back to the excellent Avenue B. Full Review »
  2. Sep 8, 2019
    8
    On Iggy's latest we hear him crooning around some minimalist tunes bolstered by a gorgeous trumpet. It comes across as though the music cameOn Iggy's latest we hear him crooning around some minimalist tunes bolstered by a gorgeous trumpet. It comes across as though the music came first and Iggy then slipped in some lyrics. Iggy croons well, his voice has matured and ripened over the years and he uses it here to essentially read poetry over some jazzy sounding tunes. It's not his usual fare, but then did Iggy ever have usual fare? He has survived this long and come this far. Think of this as a quiet Coda. Hypnotic and seductive. Only 33 minutes, but enjoyable nonetheless. Full Review »
  3. Sep 7, 2019
    9
    Instantly I fell in love with "Loves Missing" - a great well crafted work with Iggy`s superb voice and groovy chilled style again.