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- Summary: The third full-length release for the award-winning country singer-songwriter was produced with Dave Cobb.
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- Record Label: Mercury Nashville
- Genre(s): Country
- More Details and Credits »
Score distribution:
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Positive: 8 out of 9
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Mixed: 1 out of 9
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Negative: 0 out of 9
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Dec 1, 2017Stapleton’s gravelly vocals sell his own openly emotive songs like no one else could, the poetic imagery in tracks like “Scarecrow In The Garden” transcending typical beer-and-babes fodder.
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Dec 8, 2017It’s a short, casual release, so much so that it’s easy to miss just how expertly crafted these songs are.
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Dec 1, 2017Again, the songs feel like unearthed classics.
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Dec 15, 2017Vol. 2 was also able to capitalize on some of the weaknesses of Vol. 1. Where "Death Row" felt like a under-developed missed opportunity for an outlaw prison song, "Midnight Train to Memphis", which he formerly recorded with the Steeldrivers, comes in with rumbling ferocity as the doubled guitar/bass solos elevate the song to an instant blues-rock classic and one of Stapleton's most exciting tracks to date.
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Dec 11, 2017Vol. 2 leavens its heavier moments with songs that celebrate the simple joys of love and marriage and family, without lapsing into sentimentality.
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UncutDec 21, 2017There was much more to Stapleton than the Music Row standards he'd been cranking out for others, and Vol. 2 further confirms this suspicion. Under his own name, and own steam, Stapleton cleaves closer to the outlaw ethos of Waylon Jennings, Hank Williams Jr and Johnny Paycheck. [Feb 2018, p.32]
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Dec 6, 2017While this partner set doesn’t have quite the sustained quality of the preceding album released six months ago, it still affirms the value of spiking country music with a strong shot of rhythm & blues.
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