Metascore
62

Generally favorable reviews - based on 29 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 29
  2. Negative: 2 out of 29
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  1. Classic Rock Magazine
    Dec 18, 2014
    90
    The allure and immediacy of the songs is remarkable, the stuff that translates into an instant classic. [Sep 2014, p.94]
  2. Aug 12, 2014
    90
    The songs on Get Hurt do all the talking for him, loud and proud, crashing and bashing into the night, taking heartache and turning it into triumph. Pure rock ’n’ roll.
  3. It’s disheartening that the album isn’t the game-changing record Fallon promised, and it’s too bad that it doesn’t have the thesis-statement cohesion of albums like The 59 Sound and American Slang. But the songs are still great, the production is still excellent, and the performances of the band members have rarely been in finer form.
  4. Magnet
    Sep 18, 2014
    80
    The Jersey quartet offers its most effective heartland punk cocktail to date, but shakes and stirs the concoction with new influences and musical approaches. [No. 113, p.56]
  5. Kerrang!
    Aug 19, 2014
    80
    These songs do not merely take a cursory glance at varied and disparate styles, but are, in fact, detailed and carefully conceived excavations. [2 Aug 2014, p.52]
  6. Aug 12, 2014
    80
    Get Hurt shows that so long as they're passionate about their music, it doesn't matter where the band are getting their inspiration from, because genuinely caring about something is always compelling.
  7. Aug 19, 2014
    70
    It’s not the band’s greatest, most spirited or unifying; it’s not The ’59 Sound or American Slang. Rather, Get Hurt represents the exorcism and the catharsis that needed to transpire.
  8. Aug 19, 2014
    70
    Made with Arctic Monkeys producer Mike Crossey, Get Hurt is a fresh, anthemic striving--further from E Street, driven by epic metal guitars.
  9. 70
    His [singer Brian Fallon] dramatic vocals might be in full force, but conspicuous by their absence are The Gaslight Anthem's usual lyrical canvases of Americana, save for a couple of brief glimpses of the old dive bar-dwelling, jukebox-thumping badasses in the pair of back-to-back weepies that close the album.
  10. Aug 5, 2014
    70
    While they felt the need to force the issue, beneath those jarring, incongruous riffs lies some rock ‘n’ roll of the purest kind.
  11. Aug 12, 2014
    67
    The Gaslight Anthem deserve credit for stretching so far on Get Hurt; it’s just too bad the band spreads out in so many directions without committing to any of them.
  12. Aug 7, 2014
    66
    Get Hurt may go down as The Gaslight Anthem's worst album to date, but that's not much of an assessment: a difficult Gaslight record is still a really good album, and it's commendable to experiment, evolve, or otherwise try something new.
User Score
8.0

Generally favorable reviews- based on 26 Ratings

User score distribution:
  1. Positive: 23 out of 26
  2. Negative: 1 out of 26
  1. Dec 8, 2014
    10
    Seems a lot of reviewers worked hard to not get this album. Their loss. A more somber affair than "45", "Get Hurt" still resonates with greatSeems a lot of reviewers worked hard to not get this album. Their loss. A more somber affair than "45", "Get Hurt" still resonates with great tunes, good-to-great lyrics, and the most important thing of all - a belief that rock and roll can save your soul, whether you want it to or not. Full Review »
  2. Aug 14, 2014
    9
    A more introspective, sombre album but with the same great tunes and melodies. Took a few listens to appreciate how good it is. Currently on repeat.
  3. Sep 1, 2014
    8
    Get Hurt is the first album that I have heard from Gaslight Anthem. Its a pretty solid record. I understand that this album was meant to be aGet Hurt is the first album that I have heard from Gaslight Anthem. Its a pretty solid record. I understand that this album was meant to be a little heavier than their previous works. There are a few songs that have a hard edge to them but overall I wouldn't call the album a hard rock record. This is not an album for someone looking for a great guitar solo but there is some good riffing on several tracks. Brian Fallon has a original approach to vocals. I've never heard a singer who sounds at all like him. There are truly no dud tracks and I'm seriously looking into their other albums because this sure is a group that is worth my time. Full Review »