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- Summary: The debut full-length release from Toronto-based Debby Friday was produced with Holy Fuck's Graham Walsh and features a guest appearance from Uñas.
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- Record Label: Sub Pop
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 8 out of 8
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Mixed: 0 out of 8
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Negative: 0 out of 8
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Apr 21, 2023But what comes off at first as blistering and self-deprecating actually reveals her deep reverence and respect for her own complexity.
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Mar 24, 2023The crooning, woozy indie-pop of So Hard To Tell is reassurance Friday has a full spectrum of emotional arrows in her quiver and she’s going to hit all her targets.
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Mar 23, 2023‘Good Luck’ is undoubtedly at its best when Debby is going full-pelt to evoke those early-noughties electroclash moods, but there’s barely a misplaced beat throughout.
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Mar 29, 2023While seeing any bit of vulnerability in Friday’s work does make her more relatable, it’s the woman who titled her debut EP Bitchpunk that dominates Good Luck, and her attitude is a lot of fun. ... Friday attacked her debut like she was born ready, and it’s fully convincing that she was.
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Mar 23, 2023Good Luck fits roughly into similar experiments by Backxwash or JPEGMAFIA, but it’s even harder to pin down to a single genre. It’s an album that testifies to the liberating potential of making a racket.
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The WireMar 23, 2023Good Luck doesn’t betray Friday’s general aesthetic or artistic persona. On the contrary, it retains her darkly seductive, slightly edgy and risqué aura, but conveys it through a disparate medley of styles. [Apr 2023, p.53]
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Mar 23, 2023While the energy level feels drastically different between the album's clubbier first half and its slower second, Friday's music is always dramatic, honest, and futuristic.
Score distribution:
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Positive: 0 out of
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Mixed: 0 out of
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Negative: 0 out of