Good Woman
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out of 10
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Universal acclaim- based on 8 Ratings
- Summary: Produced by John Congleton, the latest full-length release for the trio of sisters was influenced in part by the death of their mother and the birth of Emily's first child.
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- Record Label: Atlantic
- Genre(s): Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Indie Folk
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Score distribution:
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Positive: 14 out of 14
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Mixed: 0 out of 14
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Negative: 0 out of 14
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Feb 4, 2021These thirteen tracks, detailing joys and sorrows, love and loss, indicate that The Staves are as vital as ever.
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Feb 4, 2021After such a long time away, ‘Good Woman’ finds The Staves rejuvenated and inspired, treading new ground while retaining the identity that made them so loveable in the first place. For all the trials bestowed upon the trio in the past few years, they emerge positive and victorious, changing and creating music on their own terms as echoed on closer ‘Waiting On Me To Change.’
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Feb 9, 2021All in all, The Staves have once again succeeded in enchanting listeners with a unique ethereal euphoria that remains unmatched. Good Woman may be a little different than the band’s previous works, but it reinforces what makes them so special in a marvelous way.
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Feb 4, 2021Their love for their art is evident. When their voices come together, it is pure magic.
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Feb 5, 2021Whatever primness remains, Good Woman proves the Staves now slot effortlessly into that roster of intelligent, interesting artists, interrogating life, love and womanhood on their own distinctive terms.
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Feb 5, 2021What keeps you coming back to Good Woman is a sense of hope and optimism that shines through – that sense that, despite the grief and pain, there’s always better times ahead. Maybe it’s exactly the sort of record we all need in these times, and it certainly contributes towards this being the best Staves album of their career to date.
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Feb 8, 2021The Staves manage to overcome Congleton's production and mixing tics because their voices can cut through anything. ... It’s heartening to hear them turn their attention inward; maybe next time, they’ll trust that sound to do its work without the input—or intrusions—from a collaborator.
Score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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Jul 4, 2021an excellent body of work, my first contact with the staves and it was a very pleasant experience.
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Feb 23, 2021
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