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Jul 7, 2011There's sweet regret but no apology in Horses and High Heels, and though the lyrics of Faithfull's title track tell a different tale, the image is universally and resolutely one of female youth.
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Jul 13, 2011There are the four originals here on Horses and High Heels. And for my dope money at least, they count among the highest songs she's had since getting off the stuff some 20 years ago.
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MojoApr 6, 2011Drawing elements from both [previous albums], Horses And High Heels is a similarly accomplished if more playful affair. [Apr 2011, p.94]
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Jun 24, 2011In the end, Horses is another addition to a catalogue short on standouts.
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Q MagazineApr 6, 2011Lou Reed guests and she's brave enough to wrestle with both Greg Dulli and Mark Lanegan's unsettling The Stations, while her four lugubrious originals show the drugs didn't turn her brain to much. [Apr 2011, p.101]
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Jul 18, 2011With help from Dr. John and guitarist John Porter, Faithfull, like New Orleans itself, proves hard times make for very good music.
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Jun 21, 2011As with most of her material, Horses and High Heels often sounds overblown and showy, but it identifies Faithfull's persistent ability to merge individual personality and musical connoisseurship.
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Mar 23, 2011Producer Hal Willner has surrounded Marianne Faithfull with some great New Orleans musicians, and got her covering a few Crescent City soul numbers. But it's not territory she occupies comfortably: she doesn't have the abandon to animate Joe & Ann's "Gee Baby", and her delivery of Allen Toussaint's "Back in Baby's Arms" is painfully stilted.
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Mar 23, 2011Her voice hangs inertly among racks of lustrous guitars like a worn shirt.
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Mar 23, 2011She attacks old soul numbers with gusto, turning them into cheery Stones-ish romps, but is at her best on pared-back material heavy with world-weary pathos.
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UncutMar 29, 2011Producer Hal Wilner again helms this follow-up but the chemistry proves more fitful. [Apr 2011, p.80]