• Record Label: RCA
  • Release Date: Sep 8, 2023
Metascore
56

Mixed or average reviews - based on 7 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 7
  2. Negative: 1 out of 7
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  1. 80
    This love for dramatic highs and muted lows on this album makes the record a rollercoaster of emotions and sounds, and a polished and entertaining debut.
  2. 80
    Desperation and fear meet talent and ingenuity in a fascinating way on How Do You Sleep At Night? making for one of the most thrilling full-length listens of the year thus far.
  3. Sep 12, 2023
    80
    ‘How Do You Sleep At Night?’ is a solid debut, a multifaceted foundation that Teezo Touchdown is sure to spring from. The record boasts some great production and a genre-less style that for some may lack cohesion, but on a debut record like this it allows Teezo to follow any sonic path he desires in the future.
  4. Sep 12, 2023
    54
    Teezo’s debut wants to convince you that he’s this generation’s ODB, but really, he’s closer to a zanier Kid Cudi, but without the influence. His beats, while eclectic to some degree, feel like a minor subversion of the indie-rock-rap crossover that’s become increasingly popular. His lyrics remain juvenile at best with hints of maturity sporadically hidden in the deeper cuts.
  5. Sep 13, 2023
    53
    It’s all so simplified, not only selling short teeangers’ ability to handle more complex emotions (hello, Olivia Rodrigo) but making Teezo look like a generic corporate vessel, genre-hopping to distract from the hollowness.
  6. Sep 12, 2023
    40
    Do You Sleep at Night offers little in terms of actual ingenuity. Instead, it presents a smattering of existing tropes thrown at the wall with little in terms of depth.
  7. Sep 12, 2023
    30
    The few tolerable moments across How Do You Sleep at Night? come from either outside voices, including a minute-long verse from Fousheé on “Sweet” that outclasses the bulk of Tezzo’s trite observations, or whenever Teezo is shamelessly copying from others, as he does on “Mood Swings” and the Steve Lacey-lite “Familiarity.”

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