Buy Now
| Buy on |
|
- Critic score
- Publication
- By date
-
Feb 9, 2017II’s songs can glide by like a benevolent mirage, not quite registering but still leaving an afterglow. That afterglow is exquisite, however.
-
Feb 9, 2017On Vermont II, Plessow and Worgull have crafted an experimental piece founded upon its creators' departure from their respective comfort zones.
-
Mar 1, 2017Approach the album with the same unhurried attitude as its creators, though, and you'll find moments to savour.
-
Feb 15, 2017Not every experiment is necessarily a success, but listening front to back offers an awfully absorbing sort of quiet. Sometimes just listening to artists explore a new space is enough to make for a work worth hearing.
-
UncutFeb 9, 2017Vermont is a project now--but the outcome is similarly minimal and beatific, with each of its 12 tracks shaded with only the most essential detail. [Mar 2017, p.40]
-
Feb 9, 2017This is as enjoyable as the duo's debut, another set that rewards deep listening for those with an affinity for Eno/Moebius/Roedelius, Global Communication, the Detroit Escalator Co., and the tranquil aspects of Kompakt's Pop Ambient series.
-
Feb 22, 2017Vermont have figured out how to make these comparatively short, sketch-like pieces work for them. They stretch out just long enough to draw you in and wrap you up in their atmospheres, but they never wear out their welcome.
-
Mar 2, 2017Aside from some tracks that veer into nothingness, much of it wafts around pleasantly enough, given the right beanbag.
-
Feb 9, 2017It drifts from merely being waftily pretty to really elegant to sublime and back with the greatest ease, which can be frustrating--but those sublime moments are enough to make you come back for more.