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Jul 13, 2018Another exhilarating triumph from one of the most original underground electronic artists.
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Jul 13, 2018You can start to see trajectory to Container’s LPs after this fourth edition, though the changes are deceptively subtle considering how unruly any specific release is. What’s never changed (and likely the reason the series remains so consistent) is simply how much fun Schofield makes all this mayhem sound.
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Jul 23, 2018Schofield often sounds downright uneasy, as if he's looking to cut the legs out from under his trademark style. When an artist slips into this mode, they rarely make perfect statements. What usually emerges instead are uneven collections full of experimental escape hatches that are engrossing for their very imperfections.
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The WireJul 13, 2018Pared back and abrasive, the music is somewhat diffuse compared to Schofield’s earlier records. The hard edges of its rhythms are scattered, the sound so foggy it’s hard to hear. [Jul 2018, p.46]
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Jul 13, 2018Many of the tempos sprint along in the 160-180 bpm range, and slightly off-kilter rhythms are used to disorienting effect. A dance music mutator takes one step closer to chaos.