Metascore
81

Universal acclaim - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 12
  2. Mixed: 0 out of 12
  3. Negative: 0 out of 12
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  1. 90
    Yes, the Vivian Girls were and are good, but we already knew that. However, more importantly, Memeroy cements that NO ONE can do what this trio does and, more than that, they’re doing it even better now then they were before.
  2. Sep 26, 2019
    80
    The 12 songs on “Memory” reveal musicians who have grown both as artists and technicians, even if their approach is as impatient as ever. ... They’ve dug deeper into their decade-long aesthetic, adding a more accomplished sound below while piling mounds of feathery stuff up top.
  3. Sep 24, 2019
    80
    In many ways, Memory poignantly conveys how time has caught up with the Vivian Girls. It may look into the past, but the trio are not the same anymore both creatively and personally—and the time they took apart to explore other avenues works to their benefit. Armed with a deeper understanding of those trying times, and each other, the trio moves forward—and live in harmony with it.
  4. Sep 20, 2019
    80
    They’re back with the fantastic new Memory, unafraid to show their scars as they find new ways to nuance a sound that beautifully takes Eighties and Nineties indie noise back to Sixties girl groups, surf-rock and California pop.
  5. Sep 20, 2019
    80
    Guitarist Cassie Ramone and bassist Katy Goodman haven’t tweaked much of their fast-paced and fuzz-caked formula this time around, but they’ve certainly refined the hell out of it. Never has the band sounded so imposing in a studio setting, reining their once-uncontainable feedback into a beefy wall of sound.
  6. Sep 20, 2019
    80
    More specifically reflective (on moving cities in "Your Kind of Life") than anything in their past, this is the work of women in their 30s who refuse to be defined by their past, but who haven't forgotten their roots, either. It's a complicated trick to pull it off, but it's a testament to their immense talent that they not only can, but make it look and sound easy.
  7. Sep 20, 2019
    80
    The guitars are still awash in reverb, the percussion remains propulsive, and the deceptively complex vocal harmonisation is the axis around which everything else revolves. What’s new is a feeling of genuine exhilaration - on the freewheeling standout ‘Something to Do’, the infuriatingly catchy ‘I’m Far Away’, and on the gentle breeze of ‘At It Again’ especially. ‘Memory’, is music for the love of it, and unabashedly so.
  8. Sep 20, 2019
    80
    Memory isn't just their best record, it makes good on all the promise they displayed early on and will hopefully shut their critics up once and for all.
  9. Sep 20, 2019
    75
    Some reunions suck; others are a relief simply because they’re not embarrassing. Vivian Girls have defied the odds by reuniting for their best album yet.
  10. Sep 25, 2019
    73
    On Memory, there’s a clarity and intensity to Ramone’s songwriting that leaves little room for gimmicks, employing the earnestness that made the Brooklyn DIY scene such a refreshing break from the coy art rock of early 2000s Manhattan.
  11. Sep 20, 2019
    73
    While this may not be their magnum opus, and they aren’t reinventing the wheel—or even trying to—Vivian Girls keep us wanting more than just a Memory, but a bright future full of raucous tunes.
  12. 70
    It’s concise, it’s even, and it feels structured. Its main issue is that it’s nothing that new or inventive and on that basis alone is what essentially damns their efforts. But despite that gripe, Vivian Girls have always surrounded their LPs with charm.
User Score
7.4

Generally favorable reviews- based on 5 Ratings

User score distribution:
  1. Positive: 3 out of 5
  2. Negative: 0 out of 5
  1. Oct 3, 2022
    6
    Not a record that makes a strong case for their needing to be a reunited VG. The strengths (= the sound) and the weaknesses (= the songs) areNot a record that makes a strong case for their needing to be a reunited VG. The strengths (= the sound) and the weaknesses (= the songs) are both represented roughly as much as previous records (as I recall), but not generously enough to make an argument for any further workouts of their formula. Full Review »