• Record Label: Downtown
  • Release Date: Jun 9, 2009
Metascore
72

Generally favorable reviews - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 11
  2. Negative: 0 out of 11
  1. 100
    Given their experience writing and producing for the likes of Kylie Minogue, Madonna and Brittney Spears, it stands to reason why Miike Snow is such an irresistibly captivating album.
  2. For Miike Snow make weirdly wonderful music, not without its strange lyrical dark side, but with an overall vibe that raises you to your feet and makes you gaze at the blue sky. In a phrase, life-enriching.
  3. 80
    Both the production and Wyatt's shape-shifting croon are so butter-smooth that it takes repeated plays to sense the hurt that hides behind these dance-floor lullabies.
  4. There's no lack of artists making similar sounding music--MGMT, Pop Levi, White Williams, and even Animal Collective come to mind--but Miike Snow is ambitious and fun enough that they're worth checking out.
  5. An intelligent, satisfying, extremely listenable pop record, it’s simultaneously nothing you expected, and most everything you hoped for.
  6. Here Christian Karlsson and Pontus Winnberg hook up with indie boy Andrew Wyatt, manhandling his plaintive love ballads until they explode into freewheeling electro fantasias.
  7. When they slip up, it’s due to stupid lyrics or mainstream tendencies (like the beginning of the first single, 'Burial'). But they do create winning synth moments on 'Song For No One' and 'In Search Of.'
  8. Miike Snow’s debut is a curious affair: clad in icy, inscrutable packaging a la Sigur Ros with american singer Andrew Wyatt carefully enunciating every overwrought word, it’s also jam-packed with the kind of dazzling pop tricks you might expect from three chaps whose day job is churning out radio hits for the likes of and Jordin Sparks.
  9. Q Magazine
    60
    Their packed schedule has finally allowed space for this lavish eponymous debut. [Sep 2009, p.95]
  10. As the album enters its second half a number of elements which made the its first half so enjoyable begin to get tiresome, particularly the over-reliance on piano.
  11. The debut album by these producers-turned-trio comes after blog-bait remixes galore, including a nice enough Postal Service-ish Vampire Weekend makeover, but there's little of those fine young Columbians' infectious exuberance here.
User Score
8.0

Generally favorable reviews- based on 47 Ratings

User score distribution:
  1. Positive: 41 out of 47
  2. Negative: 5 out of 47
  1. BrettJ
    Aug 19, 2009
    8
    Strong if not perfect throughout. Both the lead and the music/production are bringing their game strong - makes it happen. Agreed the Strong if not perfect throughout. Both the lead and the music/production are bringing their game strong - makes it happen. Agreed the PItchfork review is off-kilter - Miike Snow's strength is the awesome moments of synthesis they make, combining organic and synthesized - P-fork seems to come out of the gate with an expectation and when MS doesn't fulfill it, it gets knocked for it. Full Review »
  2. JoshB
    Aug 25, 2009
    9
    An extremely well made and creative record, a true hidden gem!
  3. MikeB
    Jul 16, 2009
    9
    Well crafted, deliciously melodic. Those Pitchfork boys missed the point on this one (not cool to enjoy yourself anymore according to some). Well crafted, deliciously melodic. Those Pitchfork boys missed the point on this one (not cool to enjoy yourself anymore according to some). Easily more hits than misses and for me this this album is delightful. Full Review »