- Critic score
- Publication
- By date
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Without a deft rap to go over these tracks, many of them merely drift over the listener.
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Alternative PressExcellent. [Jun 2004, p.111]
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It's not as interesting as it could and probably should be.
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Entertainment WeeklyBlockhead injects enough emotional expression into the dusky downtempo tracks to separate himself from the knob-twiddling pack. [2 Apr 2004, p.66]
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Though the dark atmosphere can weigh Cavelight down on extended listening, it is the record's most lush, emotional moments, like the operatic "Sunday Séance," that are most suggestive of Blockhead's potential.
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All around, Blockhead's first foray into solo sound collage is far from bad, but it rarely steals the show the way his rapper-associated work tends to.
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Many tunes possess an open, spacious quality, as if waiting for the jigsaws last piece.
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When the record falls a bit short in the middle area, Blockhead's tendency to reassemble things comes into play again.
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The biggest problem with the album is that most of the tracks feel like there should be a rap over them.
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UrbThis is an album that seeks to push boundaries, and succeeds. [May 2004, p.84]
User score distribution:
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Positive: 11 out of 13
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Mixed: 0 out of 13
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Negative: 2 out of 13
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JustinMay 3, 2007
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nickpJan 10, 2007one of the best beat pieces i've ever heard
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seanApr 21, 2005blockhead...ill as fuck