User Score
9.2

Universal acclaim- based on 10066 Ratings

User score distribution:
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  1. Aug 8, 2023
    10
    This album couldn't have any standout tracks because all of them standout. The writing and the production on this one is insane. Solidify Lana as the artist of the decade, and my personal favorite.
  2. Sep 5, 2023
    10
    Perfeito em tantos níveis, a vibe, o som tudo encaixa perfeitamente nesse álbum.
  3. Sep 8, 2023
    10
    This review contains spoilers, click expand to view. Fear fun, fear love, fresh out of **** forever
    Tryin' to be stronger for you
    Ice cream, ice queen, I dream in jeans and leather
    Live stream, I'm sweet for you
    Oh God, miss you on my lips
    It's me your little Venice ****
    On the stoop with the neighborhood kids
    Callin' out, bang bang, kiss kiss
    You're in the yard, I light the fire
    And as the summer fades away
    Nothing gold can stay
    You write, I tour, we make it work
    You're beautiful and I'm insane
    We're American-made
    Give me Hallmark
    One dream, one life, one lover
    Paint me happy in blue
    Norman Rockwell, no hype under our covers
    It's just me and you
    Oh God, miss you on my lips
    It's me your little Venice ****
    On the stoop with the neighborhood kids
    Callin' out, bang bang, kiss kiss
    You're in the yard, I light the fire
    And as the summer fades away
    Nothing gold can stay
    You write, I tour, we make it work
    You're beautiful and I'm insane
    We're American-made
    Oh (yeah), oh (yeah), oh (yeah)
    Soundin' off, bang bang, kiss kiss
    Oh (yeah), oh (yeah), oh (yeah)
    Soundin' off, bang bang, kiss kiss
    Oh God, want you on my lips
    It's me your little Venice ****
    On the stoop with the neighborhood kids
    Soundin' out, bang bang, kiss kiss
    Oh, shatter oh, shatter, oh, shatter
    (Soundin' off, bang bang, kiss kiss)
    Yeah (yeah), oh (yeah), oh (yeah)
    (Soundin' off, bang bang, kiss kiss)
    (Yeah)
    You heard my baby's back in town now
    You should come, come over
    We'll be hanging around now
    You should come, come over
    Oh God, I love him on my lips
    It's me your little Venice ****
    Touch me with your fingertips
    It's me your little Venice ****
    Back, back in the garden We're getting high now because we're older Me myself, I like diamonds My baby crimson and clover Wha-wha-wha-wha-whatever, everything, whatever (Wha-wha-wha-wha-whatever, everything, whatever) Ah, ah, ah, ah Ah yeah, ah yeah (La-la-la-la-la-la, losers, beautiful losers) (La-la-la-la-la-la, losers, beautiful losers) La-la-la-la-la-la, losers, (yeah) beautiful losers (yeah) La-la-la-la-la-la, losers, (yeah) beautiful losers (yeah) La-la-la-la-la-la, losers, beautiful losers Back in the garden We're getting high now because we're older Me myself, I like diamonds My baby crimson and clover Crimson and clover, honey Crimson and clover, honey Crimson and clover, honey Crimson and clover, honey Crimson and clover, hone
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  4. Sep 8, 2023
    10
    there’s no better album than this one, It been on my top 1 album for months and im still obsessed with it, 10!!!
Metascore
87

Universal acclaim - based on 28 Critic Reviews

Critic score distribution:
  1. Positive: 26 out of 28
  2. Negative: 0 out of 28
  1. Oct 9, 2019
    75
    Things inevitably drift, but beneath the surface in the best songs there is a toughness and a newfound resilience.
  2. Oct 2, 2019
    90
    It's a remarkably sharp pop record that retains her fascination with pop-culture iconography and the rosey simplicity of a post-war America where classic rock and blue jeans ruled and takes them to much deeper places. ... Think of it as an hour-long car ride peeling down the highway with classic rock blaring out of the radio and no real destination in mind other than where your impulsive nature might take you.
  3. Uncut
    Sep 19, 2019
    80
    A thematically rich record, heavy on mood and elegantly written in a way that positions Del Rey between Eve Babitz and Carole King. There are beguiling and evolving melodies underneath the spare piano and acoustic arrangements. [Nov 2019, p.24]