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While the appealing rawness of their early material is occasionally missed here, the strides forward that the group makes on this album more than make up for it.
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A subtle pop album that needs multiple listens and draws upon 1970s soul harmonies as much as it does Lou Reed’s repetitious rhythm guitar.
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MagnetA rewarding, cohesive and climactic experience. [#54, p.88]
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Alternative PressIt may take a few spins to fully appreciate French Kicks' nuances, but those who give them time will be greatly rewarded. [Jul 2002, p.81]
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MojoListen closely and you'll probably detect the likes of Wire, XTC and New Order but like contemporaries Hot Hot Heat and Ted Leo's Pharmacists, French Kicks are rocking their own joyfully addictive sound. [Jun 2003, p.101]
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It's only on "Close to Modern," a slinky, soul-infused number, that the French Kicks truly distance themselves from their downtown N.Y.C. contemporaries.
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While better than some of their previous releases, One Time Bells still isn't a mind-blowing album.
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Q MagazineThat's not to say these 11 tracks lack merit, just impact, such highly-strung, right-angled songs as Right In Time frequently becoming bogged down in experimentation. [Jun 2003, p.96]
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BlenderThe band's smart-boy quirks make repeated listens progressively more enjoyable. [Jun/Jul 2002, p.106]
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To their vast credit, even if the songs resemble a greatest hits package of indie rock, each guitar break, each bridge comes alive with experimental toughness.
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The album's baffling mono feel weakens the French Kicks' already anemic sound.
User score distribution:
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Positive: 3 out of 4
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Mixed: 0 out of 4
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Negative: 1 out of 4
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WayneJJan 10, 2007
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DavisWMay 9, 2005Has a handful of great songs but doesn't come across as a solid album. Worth buying still, in my opinion.
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kaitoNov 7, 2003i think paul o meant to review his own band.