Metascore
70

Generally favorable reviews - based on 19 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 19
  2. Negative: 0 out of 19
Buy Now
Buy on
  1. Love him or hate him, you can't deny that Ronson can certainly put an album together.
  2. Three albums in, it's hard to imagine a Mark Ronson album not brimming over with a crowd-pleasing, inter-genre collection of guest stars.
  3. Q Magazine
    60
    You could forgive the incoherence if every song punched its weight, but too often design-by-committee dilutes rather than enhances individual strengths, producing generic electro-pop filler. [Oct 2010, p.106]
  4. Ronson approaches pop almost like a hip-hop producer. He's assembled a cavalcade of guest collaborators too numerous to name, but for the most part his focus keeps Record Collection from feeling overcooked.
  5. While that title may suggest a navel-gazing bedroom-auteur beatshop, Record Collection proves a surprisingly gregarious album, varying up the sounds and styles and making better use of cameos by his famous friends.
  6. Evidently it's his source material that defines him, and this time it's disappointingly weak.
  7. Uncut
    40
    Elastic raps from Q-Tip and Spank Rock, plus some ballsy vocals at last from Rose Elinir Dougall, save the venture from total ignominy. [Oct 2010, p.105]
User Score
7.6

Generally favorable reviews- based on 11 Ratings

User score distribution:
  1. Positive: 8 out of 11
  2. Negative: 1 out of 11
  1. Jul 29, 2011
    6
    Nothing much to hear here, move along... That's what I did. Occasional snippets of interest in a blancmange of generic... Oh, yawn, I cantNothing much to hear here, move along... That's what I did. Occasional snippets of interest in a blancmange of generic... Oh, yawn, I cant be bothered, other than to ponder whether 'The Bike Song' is a failed 70's novelty song? Full Review »