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It’s a case of “been there/done that/snogged someone I shouldn’t have to this track on Saturday night” – and by and large the scene is starting to collapse in on itself.
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This album is, however, a huge amount of irreverent fun, and provided you approach it with that in mind, you'll get plenty of enjoyment out of it, especially when turned up loud at a party.
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The WireGood, clean fun. [Oct 2008, p.71]
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Rex's remixes of the Knife's 'Heartbeats' and the Sounds' 'Tony the Beat' jerk the limbs, too. He needs more of these next time, and fewer of the irksome references to dogs in the lyrics
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It feels like exactly what it is: a slipshod collection of songs constructed intermittently, in broad strokes, over a period of years.