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The WireBuck's refusal to recognise musical boundaries and his instinctive ability to pick out elements that work together--sometimes surprisingly so--have given us a genre-bending album of high artistic vision, spit and grit. [#258, p.52]
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It's highly unlikely that Buck 65 is ever going to become the cash cow that his paymasters probably thought he was going to be, but let's hope that he is invited to keep on presenting us with his skewed worldview; a beautiful painting seen in a shattered and blood stained mirror.
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Secret House's obvious appeal lies entirely with its musical, or rather compositional, diversity.
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MojoHis gritty voice and folk-art lyricism ensure that these stylistic curveballs carry real emotional resonance. [Sep 2005, p.90]
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Pick out the antihero tracks and one or two missteps and you have every Beck album (no typo) crammed into one disc with more wit and charm and weird science and heartache than that dude’s cumulative catalogue.
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Secret House Against The World is a fun-filled affair that only reinforces Buck 65's stature as one of "hip-hop's" more versatile "emcees."
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Early Buck albums had all the professionalism of a late-night weed experiment, but Terfry is growin' up and it shows.
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His hoarse-throated vignettes of smalltown weirdos are beginning to suggest a sketch-show parody of Tom Waits; enough already with the disillusioned, motel-hopping loners.
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Q MagazineIn shifting from decks to band, he has also checked the imagination which marked him as an original. [Sep 2005, p.114]
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New Musical Express (NME)It's fair to say you won't hear another album like this in 2005. Or probably until 3005. [30 Jul 2005, p.49]
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UncutBuck's monotone and his lack of truly cutting statements make this a dour experience. [Sep 2005, p.100]
User score distribution:
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Positive: 8 out of 11
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Mixed: 1 out of 11
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Negative: 2 out of 11
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AdamBNov 22, 2005
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SteveNov 4, 2005
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MikeCSep 27, 2005Awesome!! Go Canada