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Typically cryptic and loaded with tasty guitar, Songs and Other Things is an excellent return for Tom Verlaine.
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The most impressive thing about Songs and Other Things is that Verlaine’s singing has actually gotten stronger with time.
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Tom Verlaine has delivered yet another beautiful creation to us.
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UncutThe best tracks... are almost as good as Television's monumental Marquee Moon. [May 2006, p.100]
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Under The RadarSongs is the stronger effort, tight and focused where ['Around'] is sketchy. [#13, p.89]
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MojoBusiness as usual. [May 2006, p.104]
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The WireAt first Songs And Other Things sounds simple to the point of throwaway, but gradually gives up its secrets after a number of plays. [#266, p.67]
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Songs' best moments occur when Verlaine complicates the pop formula with serious tension.
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Those looking for "Marquee Moon"-style guitar heroics will be disappointed.
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The dynamic has more in common with Verlaine's best (known) work, even if the drama isn't as fully realised.
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Most of the 14 songs work as moments or hooks rather than as complete creations, suggesting the Verlaine coffee commercial may yet be upon us.
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Q MagazineMixes his distinctive whinny toothlessly low. [May 2006, p.131]
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New Musical Express (NME)It doesn't seem the product of so revered an artist. [29 Apr 2006, p.37]
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Songs and Other Things' mid-tempo pop feels tossed-off, like Verlaine couldn't have been bothered to do more between walking the dog and a few dart games.
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Whilst Songs and Other Things may still attract loyal aficionados of Verlaine’s idiosyncratic solo work, it’s certainly unlikely to win over any sceptics.
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Fans of Verlaine's Television-era storytelling will be disappointed to hear him so simultaneously unchanged and unforthcoming.
User score distribution:
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Positive: 3 out of 3
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Mixed: 0 out of 3
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Negative: 0 out of 3
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CHARLESMMay 16, 2006