• Record Label: Lex
  • Release Date: Feb 24, 2015
Metascore
76

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 18 out of 21
  2. Negative: 0 out of 21
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  1. Feb 17, 2015
    90
    Sour Soul is sublime. Rather than standing around starstruck, BBNG have more than proven their worth as Ghostface’s backing band.
  2. Mar 20, 2015
    80
    Call it experimental muzak, call it cultured post-bop fueled by the internet. Either way, it’s interesting to hear Ghostface sink so smoothly into their rhythms.
  3. Feb 24, 2015
    80
    Sour Soul is an evening album, like all good jazz albums should be. The kind you turn on over lamplight or bump on your headphones.
  4. Feb 23, 2015
    80
    On the impressive Sour Soul, the Canadian trio that built its profile through Odd Future and Gucci Mane covers bangs out rich blaxploitation-invoking live instrumentals, providing a perfect canvas for the Wu-Tang Clan vet's vivid rhymes about dodging police, jewelry and, oddly enough, yoga.
  5. The Independent (UK)
    Feb 23, 2015
    80
    Wu-Tang's most reliable rhymer here hooks up with Toronto hip-hop jazz trio Badbadnotgood, whose vibes, piano and grooves, augmented occasionally with strings, drape a 1970s symphonic-soul sound around his street missives. [21 Feb 2015, p.18]
  6. Feb 23, 2015
    80
    One of this even more classy album’s appeals is the juxtaposition between the elegance of the music and the grimness of the rhymes.
  7. Q Magazine
    Feb 17, 2015
    80
    The Canadians [Badbadnotgood] deliver in spades.... Even when Ghostface doesn't bring his A game, he gets by with a little help from his friends. [Mar 2015, p.108]
  8. Mojo
    Feb 13, 2015
    80
    A vivid, pulsing rhyme banquet that's out-there, edgy and kaleidoscopic. [Mar 2014, p.96]
  9. Feb 13, 2015
    80
    With everybody involved sharp and on point, Sour Soul is a contemporary classic.
  10. Uncut
    Feb 13, 2015
    80
    The trio [Badbadnotgood] create nuanced, immersive contexts for the rapper's narratives: occasionally dialed in, at times surprising. [Mar 2015, p.71]
  11. Mar 18, 2015
    78
    Sour Soul eschews the Tony Starks comic book concept narrative of the past two efforts in favor of some good old-fashioned coke rap and braggadocio.
  12. Feb 18, 2015
    75
    The manner in which they've appropriated and recreated the early Wu-Tang vibe is practically Tarantino-esque. It may be a knockoff, but it's one of the most fun Wu-affiliated records of the past decade.
  13. Mar 10, 2015
    70
    Sour Soul isn't the best album in Ghostface's discography, but it is a fine effort.
  14. Feb 25, 2015
    70
    The inclusion of a small handful of featured emcees spices up the pot appropriately and where and when they cook are choiced well.
  15. Feb 24, 2015
    70
    In James Bond terms, Sour Soul is the almost addendum-ish Quantum of Solace as it offers adventurous fans the same opportunities for a quick fix while sacrificing a bit of weight. In Toronto jazz terms, it's verygoodgoodnotbad.
  16. Feb 23, 2015
    70
    Sour Soul doesn’t quite push any boundaries, but ultimately it doesn’t really matter, because even if there was potential for it to be so much more, it still just about ticks the right boxes.
  17. Feb 13, 2015
    67
    Attempts at the rapper-live band album are risky, and while it has some qualifiers, this one has to be counted as a success. It’d be a wild success, though, if the instrumental half of this collaboration were to take a truly equal share of the spotlight.
  18. Feb 17, 2015
    62
    Both the scant material and under-inspired lyricism are symptoms of the same problem: a dearth of unexpected ideas from an MC once seemingly capable of endless ones. Ghost’s done worse, but he used to be so excitingly unpredictable. Now you pretty much know what you’re going to get.
User Score
7.8

Generally favorable reviews- based on 65 Ratings

User score distribution:
  1. Positive: 55 out of 65
  2. Negative: 5 out of 65
  1. Mar 11, 2015
    7
    Le jeune trio torontois BadBadNotGood n'a jamais eu la prétention d'avoir réinventé quoi que ce soit. Ils réussissent néanmoins à coller leurLe jeune trio torontois BadBadNotGood n'a jamais eu la prétention d'avoir réinventé quoi que ce soit. Ils réussissent néanmoins à coller leur identité à plusieurs artistes bien en vu dans le large univers du Hip-Hop/RNB, Tyler The Creator et Frank Ocean pour ne nommer que ceux -là. C'est durant leurs nombreuses collaborations qu'ils ont été en mesure d'assurer leur pérennité artistique.

    Cette fois, c'est le membre du Wu-Tang Ghostface Killah qui fait appel aux services de BBNG. Les thématiques et la logique des textes restent sensiblement dans la même lignée que ses dernières productions. C'est donc sans réelle surprise que nous retrouvons des fragments de texte issu de la période forte du Wu Tang - Chest boards and sword, alphabetical darts-My clan is brave hart, try move live Paul Blarts (sur la pièce Sour Soul). Ghost actualise tout de même son discours, ce qui créer à mon sens, le plus bel équilibre de l'album - Simple minds get blown, shattered into pieces- My thesis is thick like the Book of Eli- We live we die, we put 'em in the sky- Free your mind as a slave like the Fourth of July (sur la pièce Gunshowers). Ghost Face à fait appel à Dany Brown, Elzhi et MF DOOM pour ajouter de l'impact à Sour Soul.

    Quant à BBNG, ils réussissent encore à faire briller les textes de Ghost à l'aide de sons assez variés d'une chanson à l'autre. Tandis que la pièce Six Degrees nous plonge dans l'univers oriental, en référence à leur apport au film the Man with the Iron Fist, la chanson Food nous plonge dans la nostalgie du genre Soul/Funk des années 70. À noter que c'est Frank Dukes qui est derrière la production. On distingue bien l'apport de BBNG quand il s'agit des lignes de basses hypnotisant mêlées aux passages de batterie qui desserve solidement les punchs de Ghost Face.

    En sommes, Sour Soul demeure une excellente combinaison entre une légende du Hip-Hop et un trio issu du monde du Jazz. Un style qui, si non maitrisé, peut rapidement devenir chaotique. Dans le cas de Sour Soul, l'exercice est assez bien réussi.
    Full Review »
  2. Feb 28, 2015
    8
    I loved the chemistry between Ghostface Killah's vocals and BadBadNotGood's music. I still ended up being overall disappointed with Sour Soul,I loved the chemistry between Ghostface Killah's vocals and BadBadNotGood's music. I still ended up being overall disappointed with Sour Soul, though. I feel like this album could have been even greater if the concepts had been expanded. Ghostface Killah, as great a rapper as he is, fails at moments to live up to BadBadNotGood's fantastic production. The album was just a little off overall, especially so on "Tone's Rap". While Ghostface rapped well technically on this song, he fails to deliver lyrically in the context of the album. I do hope to see more music from this collab in the future. ~ 7.6/10
    Best songs: "Six Degrees", "Food" & the instrumental "Experience"
    Full Review »
  3. Feb 26, 2015
    8
    It's not really an album of substance, but it's a worthwhile album nonetheless. Badbadnotgood are the perfect sonic background for Ghostface,It's not really an album of substance, but it's a worthwhile album nonetheless. Badbadnotgood are the perfect sonic background for Ghostface, and though the lyrics never really break into substantially interesting territory, he's still got a wonderful sense for flow, especially on the slower jam "Tone's Rap." Full Review »