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- Summary: The second full-length ambient release for the California producer (who also released albums under the name Lee Bannon) was recorded in Berlin, California, Cambridge, and New York.
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- Record Label: Kranky
- Genre(s): Electronic
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Score distribution:
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Positive: 7 out of 8
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Mixed: 1 out of 8
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Negative: 0 out of 8
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Feb 26, 2018This record may well work as ambient escapism, but in its serene tenderness it’s also a reminder of the fragility of all that surrounds us.
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Feb 22, 2018Tahoe is far from being simple, and is much more emotionally complex than the average ambient album.
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Feb 22, 2018If $ucessor is the finality of the final, then Tahoe is the beginning that begins. Tahoe is a voice that emerges after the rupture, the voice that creates itself anew, settling into itself as into a home.
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The WireFeb 23, 2018Tahoe is a record for after the fall, after the collapse, a compulsive soundtrack for an age that is both post-natural and post-virtual. [Mar 218, p.46]
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Feb 23, 2018We never know what’s going to happen. Instead, we are merely left to wonder and observe.
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Mar 5, 2018Tahoe only starts to perk up and run counter to expectations with “MMXIX,” an epic, nine-minute track that utilizes all manner of ambient tropes and then upends them.
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UncutFeb 22, 2018Dedekind Cut is playful and emotionally varied, allowing for moments of rapture and joyful release amid the brooding, quasi-industrial hum. This tips over into sentimentality on the rippling strings and splashing water FX of Tahoe's tittle track, but the album remains an intriguing hybrid of Arca's fleshy rumble and the KLF's Chill Out. [Mar 2018, p.25]
Score distribution:
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Mixed: 0 out of
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Negative: 0 out of