|Oww! Uh-huh No homo, Young Moolah baby I said he's so sweet, make her wanna lick the wrapper So I let her lick the rapper She, she, she licked me...||See the rest of the song lyrics|
Instead of hiding his bootleg-bred quirks in anticipation of the big-budget spotlight, he distills the myriad metaphors, convulsing flows, and vein-splitting emotions into a commercially gratifying package that's as weird as it wants to be; he eventually finds his guitar but keeps the strumming in check.
sashajSep 6, 2008I was expecting good from Lil Wayne on this album considering the horrible guest appearences of him on various songs in the months prior to I was expecting good from Lil Wayne on this album considering the horrible guest appearences of him on various songs in the months prior to the release. On June 5th, a friend of mine sent me a link where I could download the album. I did, and after hearing 3 Peat and Mr. Carter I was amazed and decided that I would buy it in stores. After I bought it I thorougly listened to it and decided that this is the first album where I didn't have to skip any songs. Some might say the album did not have had a concept or a general idea but trust me it did. The general message was: All of these songs are the new Lil Wayne.… Expand
AliBJun 13, 2009Best rap album ever. this is my favorite number 1 rap album. lil wayne is the best rapper alive.
Oct 17, 2014This album isn't the Blueprint, Get Rich or Die Trying, or The Eminem Show, but it is a step below which is good enough to have an ninetyThis album isn't the Blueprint, Get Rich or Die Trying, or The Eminem Show, but it is a step below which is good enough to have an ninety rating. The album is a little bit of both the mix-tape Lil Wayne, like A Milli and the friendlier Lil Wayne, like Got Money.… Expand
Aug 13, 2011This album gets an 8 mostly because of the relative strength of a few tracks towards the beginning of the album. It's difficult to tell ifThis album gets an 8 mostly because of the relative strength of a few tracks towards the beginning of the album. It's difficult to tell if the other tracks - which are of the elite tier of production value as rap can get - are actually just slightly above average tracks or whether the heavy hitters at the beginning just make the rest of the tracks seem dull only in comparison.
Standing far above the other top-tier tracks on this album is "A Milli", a no-holds barred surreal flow of apocryphal lil wayne non sequitors, laced with as phrases as clever and nonchalantly vulgar as it is required for Weezy to explain to us in such brilliant creative ways why he is the best. All this is set against a surprisingly palatable (assumedly hefty) dude just saying "A Milli" over and over again.
A Milli seems to be the most revered track on the biggest studio album - 1,000,000 copies in a week, and the #1 best-selling album of 2008 - the pop-mega rap star has so far released. Known for achieving success simultaneously, if not primarily, because of underground, non-radioplay mixtape releases, the song stands on its own as a stalwart in rap's history books.
3 Peat is a formidable beginning to any album, a firm, bold roar of the arrival of Wayne, obviously not only as the beginning of this album, but as a dominating figure in the spotlight of rap.
With the crescendo of 3-Peat coming near the end, as soon as it brings you back from Wayne's planet to Earth, you turn right over into Mr. Carter, a relaxed track with a solid kick and a chantable chorus held up by a high-pitched Kanye-like sample. Lil Wayne's birth name being Dwayne Carter, the song speaks for his fans and friends, asking where he has been recently, while he reveals the new heights his life has reached, and through a barrel's worth of clever phrases, explains that he's been traveling all around the world being a superstar rapper. His point is capped off when another Mr. Carter, Shawn Carter, aka Jay-Z pops in to say, yes, I am a legend and, yes, we few superstar rappers are too hard to catch, a true jet setter. Keep 'em searchin.
In full disclosure, the author of this article has as a surname Carter, so feels a certain affinity for this track. Hopefully this wasn't evident.
If you haven't heard Lollipop and are an American and under 35, I'm guessing you have never been social in a public place. That American part might be irrelevant. Lollipop was a genuine radioplay megahit, indeed the best selling digital single of 2008, and is one of the reasons Wayne remains interesting to critics - and labels - alike: he can please intellectual Pitchfork critics while blowing up the pockets of the radio conglomerates. The other tracks on this album suffers from common-rap album syndrome. At times, listening from beginning to end, it feels too disjointed due to the sheer quantity of producers submitting different types of tracks to what's supposed to be a like-minded compilation. That said, the all-star producers who composed Tha Carter iii - from Swizz Beatz to David Banner to Kanye - definitely do their job individually.
Yet still, the themes of this album are scatterbrained, despite, obviously all being loosely based around the fact that Lil Wayne, is in fact, "Ill, not sick," an expert rapper and lyrically genius. Of course, this isn't actually far from the truth, but this album ends up being much more a bunch of interesting tracks featuring a five-star rapper and a few of his peers and forefathers, than a classic album.… Expand
HomerSDec 17, 2008The guy claims to be the best rapper alive right? So why am I not feeling he lived up to it. The production is by far the best part of the The guy claims to be the best rapper alive right? So why am I not feeling he lived up to it. The production is by far the best part of the album and that's why it got a 6. Lil Wayne mumbles half of the album, forces punchlines, make shit rhyme just for it to rhyme and just plain make shit up until it sounds good. I'm surprised people haven't seen this yet. Overall, okay album. Nothing special and this is as disappointing as it comes from a self-proclaimed best rapper alive… Expand
DavidAJul 7, 2008First and foremost the person that said that weezy has proven he is better then biggie is on some mad drugs WEEZY WILL NEVER BE ON THE LEVEL First and foremost the person that said that weezy has proven he is better then biggie is on some mad drugs WEEZY WILL NEVER BE ON THE LEVEL OF BIGGIE, PAC, JAY-Z, NAS, RAKIM, AND ALL THE OTHER GREATS now back on topic this album has some hot songs and some really unnecessary songs the featured artist are amazing in this jay-z rips weezy on his own track good choice of production but the album lacks flare and for the people that say that the cool was can't stick up to this are mentally challenged they do not understand the sophisticated lyrics of lupe so they have to listen to weezy to make themselves feel good.… Expand
ANormalPersonJul 8, 2008I agree with datsun and all the other low scores. technically rap isn't music, so how can you give it a metascore?
Awards & Rankings
|The Beatles [White Album] [50th Anniversary Super Deluxe Edition] - The Beatles|
|Music from Big Pink [50th Anniversary] - The Band|
|Electric Ladyland [50th Anniversary Deluxe Edition] - The Jimi Hendrix Experience|
|Appetite for Destruction: Super Deluxe Edition [Box Set] - Guns N' Roses|
|Room 25 - Noname|
|More Blood, More Tracks: The Bootleg Series, Vol. 14 - Bob Dylan|
|Imagine: The Ultimate Collection [Box Set] - John Lennon|
|Holy Hell - Architects|
|Both Directions at Once: The Lost Album - John Coltrane|
|...And Justice for All [30th Anniversary Expanded Edition] - Metallica|
|Honey - Robyn|
|Safe In The Hands Of Love - Yves Tumor|
|Chris - Christine and the Queens|
|An American Treasure [Box Set] - Tom Petty|
|Dirty Pictures, Pt. 2 - Low Cut Connie|
|Joy As an Act of Resistance - Idles|
|I Loved You at Your Darkest - Behemoth|
|You Won't Get What You Want - Daughters|
|Be the Cowboy - Mitski|
|Negative Capability - Marianne Faithfull|