• Record Label: PIAS
  • Release Date: Apr 6, 2018
Metascore
72

Generally favorable reviews - based on 18 Critic Reviews

Critic score distribution:
  1. Positive: 13 out of 18
  2. Negative: 1 out of 18
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  1. 90
    The album is somewhat of a musical and philosophical rollercoaster. But that’s all in a day’s work for Everett who adds to his already impressive, uncompromising catalog with another expressive, rugged and diverse gem.
  2. 80
    Guilt, sickness, depression and death have their haunting power acknowledged. The optimism of a songwriter who sees the world’s love and beauty through his own sometimes deep pain rarely falters.
  3. Apr 4, 2018
    80
    Great moments in great songs ('I love you, there, I said it') still seem to be deep enough waters for EELS to swim.
  4. Mar 30, 2018
    80
    It seems ridiculous to describe the new Eels work as "a headphone record," because, in the era of earbuds, most are. Yet here we are, lost in the intricate melodies, arrangements and textures swirling through The Deconstruction.
  5. Uncut
    Mar 29, 2018
    80
    Predictably overwhelming. [May 2018, p.27]
  6. Q Magazine
    Mar 29, 2018
    80
    The Deconstruction doesn't deviate wildly from his trusty blueprint, being a mix of rattling '60s-ish pop songs and lovely, aching ballads. ... As ever, these sweeten the sadness and hard truths of the lyrics. [May 2018, p.108]
  7. Mojo
    Mar 29, 2018
    80
    Another Eels album--the 12th!--to treasure. [May 2018, p.94]
  8. Mar 29, 2018
    80
    A very welcome return.
  9. Apr 6, 2018
    75
    E saves The Deconstruction from formula by turning his inner turmoil outward.
  10. Apr 30, 2018
    70
    It feels like a career-straddling greatest hits collection in which all the ‘hits’ are brand new.
  11. Apr 17, 2018
    70
    It’s a--for the most part successful--attempt to reach across divides in a world which seems more confusing by the day, a battle against the increasing entropy which seems to be seeping in at the edges of all our existences.
  12. Apr 9, 2018
    70
    E's gifts as a songwriter and vocalist are still sharp, and if you've ever been partial to Mark Everett's slightly skewed but engagingly literate outlook on the world, then The Deconstruction should meet with your approval.
  13. Apr 9, 2018
    70
    Eels don’t do anything markedly different to what they’ve done many times before, but E’s songwriting remains in fine fettle and he still has plenty to say.
  14. Apr 11, 2018
    60
    Standout tracks, melancholic interludes and stylistic jumpiness add elements of unpredictability to Everett and co. that they’ve sorely missed. But these same things also make it an overarching mess.
  15. Apr 5, 2018
    60
    Everett has always been loathe to stand in one place for too long so it's quite possible that we'll see yet another side of him in a matter of months. For now, The Deconstruction is a rather rote and lackluster return.
  16. Mar 30, 2018
    55
    Eels have always shied away from the mainstream, and followed their self-indulgent tendencies. But while The Deconstruction gets off to an energetic start with tracks that rock and inspire, ultimately there's too many tracks that don't rock, so it falls a bit short of what Eels are capable of.
  17. Mar 30, 2018
    40
    Pensive stabs of orchestration add tension to the title track, on which Everett can only muster generic musings on the need to break oneself apart in order to be rebuilt into something new. ... A number of brief, half-formed interludes make the album feel more fragmented than connected.
  18. Apr 13, 2018
    30
    The Deconstruction produces no eccentricity, pop smarts, orchestral creativity, or emotional revelation.

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