Buy Now
- Critic score
- Publication
- By date
-
Oct 7, 2015The Loud Silence finds the producer showcasing his boundless creativity while working within a self-imposed, limited framework. Once again, he's come out successful.
-
Oct 7, 2015It's generally a meditative set, and only on the album's final track, "Exit the Acropolis", does Dozzy return to the sound with which he's most closely affiliated: Tapping out clicks like 808 hi-hats, and weaving three or four layers of mouth harp into enveloping contrapuntal pulses, it's the perfect approximation of Berghain-styled techno.
-
Oct 7, 2015Each of the tracks on The Loud Silence pointedly, yet effortlessly, foregrounds the folk-y marranzano within the otherwise calm, techno-centric sonic context that Dozzy has outlined notably on Plays Bee Mask and with his group Voices From The Lake.
-
The WireOct 8, 2015The Loud Silence builds tracks up from small, wiry gestures. [Oct 2015, p.62]
-
Oct 7, 2015While it's engaging, tantalizing and consistently interesting, it tests the listener by wading through a foliage of field recordings and mouth harps to get to its core, requiring an effort which can potentially get wearying at times.