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Despite these forays into a wider world, and the dreamy, vulnerable and hypnotic subtlety of 'Stone', you can't help but think that NYPC have still got one foot firmly anchored in the glowstick glimmer of past glories.
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It's a clinical, dark, adult pop record.
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Q MagazineNot as instant as the old stuff, but there's more substance here. [Apr 2010, p.116]
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The Optimist too often gets lost in non-committal melodies as Bulmer tries and tries again to capture quote-worthy elegant wastefulness.
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It regresses to the essence of an increasingly stale sound with a series of second-rate tracks and bored performances. This is co-option at its base; you were a few years too early, Nick.
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UncutTahita Bulmer, once the coy mistress of nu rave, now singing lines like "we wake up in the morning and tyhe glass is empty" in a portentous tone, oddly reminiscent of early-'80s Hazel O'Connor, but no more engaging than her erstwhile deadpan party mode. [Apr 2010, p.95]
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The Optimist is an album for people who don’t enjoy reading too far into their favorite songs or who don’t analyze lyrics and think deeply into melodies. There’s no way to really do that on this album. It’s a poor attempt at a follow-up album. The band is too caught up in being serious to even realize that there’s not a whole going on beneath the surface.