• Record Label: Columbia
  • Release Date: Feb 14, 2012
Metascore
73

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 11 out of 16
  2. Negative: 1 out of 16
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  1. Mar 20, 2012
    60
    A few instrumental passages could have been reined in, while the misguided inclusion of the irritating 'Dark Side' is an unfortunate blight on what is, overall, a cascading and rewarding listen.
  2. Mar 12, 2012
    60
    They ape the cons as well as the pros of 70s rock: longer-than-necessary songs, a weakness for cliche and, inevitably, unabashed retroism.
  3. Feb 14, 2012
    50
    Beautifully played, immaculately recorded and bloated to the gills with 1970s album rock pretensions, it's a throwback to a time that most people don't remember very well (and few of those have any desire to revisit).
  4. 40
    A curious hybrid, channelling both Bruce Springsteen's 'Darkness On The Edge Of Town' and Hendrix's 'Electric Ladyland' into proper classic rock ('Cherokee Werewolf') moments, but elsewhere sounding a bit elevator music.
User Score
8.0

Generally favorable reviews- based on 4 Ratings

User score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. Apr 26, 2012
    7
    Although the vocals of Ethan Miller gives the album "The Russian Wilds" rock character, despite the presence of classical compositions suchAlthough the vocals of Ethan Miller gives the album "The Russian Wilds" rock character, despite the presence of classical compositions such as: "Self Made Man", much more melodic "Dark Side" or the ballad "Can not Satisfy Me now "- the album is also influenced by blues , as can be seen even in a subdued "Walking Through Stone". Howlin' Rain on the album serves us also jazzy "... Still Walking, Still Stone" and a nod to the compositions that are simple essence of classic rock ("College"). Full Review »