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- Summary: The fifth full-length release for the electronic producer again features the vocals of his piano teacher Alison Skidmore.
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- Record Label: Modern Love
- Genre(s): Electronic, Pop/Rock
- More Details and Credits »
Score distribution:
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Positive: 11 out of 11
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Mixed: 0 out of 11
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Negative: 0 out of 11
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Apr 25, 2016Too Many Voices is an immersive experience that builds on the artists’ past without once holding them back.
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Apr 22, 2016Too Many Voices provides as many moments of disquiet, albeit a particularly exquisite form of disquiet, as it does of comfort.
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Apr 22, 2016Odd as it seems, the majority of the track titles resemble those of an R&B release. That's far from the only feature in support of the notion that Too Many Voices is Stott's brightest and most open-hearted work.
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Apr 22, 2016Too Many Voices is a breath of fresh air for anyone who found Faith overwhelmingly claustrophobic.
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Apr 22, 2016Like his peers and predecessors, he utilized vocals to elevate his shuddering half-time low-end above mere physical and intellectual impact--and into the listener’s emotional realm. One listen into Stott’s roomy fourth LP, Too Many Voices, and it’s clear that’s exactly what he’s going for.
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Jul 27, 2016Too Many Voices is everything but a claustrophobic piece of sonic art. On the contrary, this is Stott at his best, a composer whose futuristic music is well rooted in today’s world, one that is badly connected to material reality, without a locus, with an idea of time that is flexible, adaptable.
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Apr 25, 2016There’s plenty of low and high end, but none of the gray in-between. It makes for an album that sounds more like backing tracks missing the singer and the song to complete them. If anything, Too Many Voices sounds like it has too few.
Score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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May 7, 2016
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May 6, 2016
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