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- Summary: This is the first full-length release in nearly 40 years for the British avant-garde artist.
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- Record Label: Conspiracy International
- Genre(s): Electronic, Club/Dance
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Score distribution:
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Positive: 5 out of 8
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Mixed: 3 out of 8
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Negative: 0 out of 8
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Feb 13, 2019Situated at the border of ambient, new age, techno and industrial music, the album could just as easily fit into a meditative practice as a gritty basement rave. It is also a testament to her technical prowess as an electronic composer. But perhaps more importantly, it lives and breathes her insistence on exploring new sounds and techniques.
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Feb 19, 2019TUTTI feels retrospective in the sense that Cosey Fanni Tutti doesn't introduce anything strikingly unfamiliar to her sonic palette here, with its ambient closing tracks a retread back to Time To Tell. TUTTI though is essential in that it marks Cosey Fanni Tutti as the auteur of her own sound world, as well as being a strong facilitator, artist and collaborator.
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The WireMar 7, 2019Tutti is a journey to the centre of the soul, but it is a kindly one, and Cosey is a most excellent guide. [Mar 2019, p.61]
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UncutFeb 8, 2019An absorbing, illbient record magisterial in its power but minimal in execution, it works best as a set piece. [Mar 2019, p.27]
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Q MagazineFeb 13, 2019They're mysterious but persuasive sonic realities. [Apr 2019, p.118]
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MojoFeb 8, 2019The pieces here are teeming with small melodic and rhythmic details across a range of textures. [Mar 2019, p.87]
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Feb 8, 2019The album is designed to become more and more ambient, and in the end it lapses into forgettable cod-sinister wafting on En and Orenda. But in the central section, as that insistent beat begins to lose its way, there is some drama.
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