by
John Maus
- Record Label: Ribbon Records
- Release Date: Jun 28, 2011
Buy Now
- Critic score
- Publication
- By date
-
MojoDec 12, 2011If the original Assault on Precinct 13 soundtrack had been made by a time-shifted Let's Dance Bowie, you'd be most-way there. [Aug. 2011, p. 104]
-
Jul 28, 2011This is where the irony comes in--he sacrifices most of his originality to referential tropes. Through successfully emulating noteworthy keyboardists of the past, he nearly obliterates his own identity as a practitioner. It's not that he isn't good, either. He's too good.
-
Jul 8, 2011Maus sounds as pretentious as his album title when he's at his least self-censorious, delivering empty, eye-rolling provocations on Cop Killer and Matter Of Fact.
-
Jul 6, 2011We Must Become often hints at Joy Division's stylish brand of post-punk ennui, but by treating it as little more than a gimmick, Maus loses the urgency that makes Curtis's music so endurable.
User score distribution:
-
Positive: 14 out of 16
-
Mixed: 2 out of 16
-
Negative: 0 out of 16
-
Nov 14, 2011
-
Oct 4, 2011This one is tough. Is it a pastiche or just bad production? Anyway, itâ
-
Jul 26, 2011