- Record Label: Columbia
- Release Date: Jan 27, 2009
- Critic score
- Publication
- By date
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Bliss isn't the Boss' bag. Without anything to push against, one of rock's most eloquent lyricists is in the awkward position of having little of interest to say.
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Springsteen has trouble leaving well enough alone. No matter how small the song idea, he whips it up into a sweeping epic with lavish choral accompaniment and blustery solos all building to some grand final flourish.
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It is a sonically adventurous album, with the E Street Band again accompanying him. But the songwriting far too often feels like an afterthought, canned and jarringly shallow.
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Working on a Dream is not only a worthy album, but also an enjoyable one.
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A large part of Springsteen's appeal has always been how the E Street Band has sounded as big and open as his heart, but Working on a Dream, like "Magic" before it, has a production that feels tiny and constrained even as it is layered with extraneous details.
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The end of the working day, the mark of Cain, to win, darling, we must pay--these phrases, variations on ones he's used previously, arise on his fifth studio album in seven years, until it seems his uncharacteristic prolific streak comes partly from lazy songwriting, maybe done with a set of Bruce Springsteen Lyric Magnets.
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As an addition to a remarkable oeuvre, then, Working On A Dream has its worthwhile moments, but it's as a snapshot of a window of hope from an increasingly seasoned cultural commentator that it borders on the essential.
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Q MagazineWhile mostly perfectly acceptable as individual songs, the 13 tracks don't really stack up as an album, not one that gets close to his best anyway. [Mar 2009, p.94]
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This isn’t progress, it’s pleasant, capable, effortless stagnation; the dream’s already finished and we can’t, for the love of everything, recall what it was about.
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Working on a Dream works hard on sound, but sleeps on actual songs.
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Like Magic, Springsteen’s last long-player, the best tunes here mine a curious retro-pop angle.
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Unfortunately, the writing and production is as saccharine as the topics covered, either gossamer thin semi-ideas of tracks padded out, or bogged down by strings and a blinding sheen of instrumentation that does nothing to appeal to anyone beyond easy-listening FM aficionados.
Awards & Rankings
User score distribution:
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Positive: 82 out of 104
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Mixed: 12 out of 104
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Negative: 10 out of 104
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May 18, 2018
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Apr 29, 2018
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Mar 22, 2018