- Critic score
- Publication
- By date
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FilterThis should be playing in every thump-and-hump club in the world. [#5, p.92]
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Alternative PressHis brilliant mash-up of dancehall, techno, booty bass and stomping glam is a guaranteed floor-filler, whether you're laughing or not. [Jun 2003, p.109]
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Unlike the Streets, Lafata spits everything with a straight face, making his slow-mo Baroque on "Break Or Be Broken" and hardcore pop finale "Let's Get It On" (which features a Peaches-like guest appearance by Sue Cie) into a kitschy farce worthy of his vanguard reputation.
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Clearly, Gold Chains has a lot to say and a lot to prove, and possesses the means to do so. What this requires is some focus.
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MojoA persistently funny exercise in nonconformity. [May 2003, p.106]
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More often than not it's stylish, adventurous and damn fun.
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The WireHas a lot more of SF's itchy electro-Techno fizz than it does 'proper' HipHop beats. [#231, p.75]
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One part Busta-lite, and the rest full-on skater bravado: Gold Chains isn't going to tear up the world of hip-hop, but he's not totally empty handed.
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It's mostly inventive and catchy as hell.... That is, to say, if you don't mind the nearly ever-present vocals of Lafata.
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UrbThe extended running time of Young Miss America starts to act against Lafata toward the full-length's end. [Jun 2003, p.93]
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Rather than letting one in on the game, Lafata's lyrics keep things at comic/ironic distances, where they're shrouded in the mystique of embodying pop-cultural critique.
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Q MagazineMusically, these tracks take in '60s flavour Farfisa-sounds, abstract electronica and, on Citizens Nowhere, the neglected style clash of hip hop and glam rock. [Jun 2003, p.98]
User score distribution:
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Positive: 3 out of 4
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Mixed: 0 out of 4
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Negative: 1 out of 4
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AndyWFeb 22, 2006
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KishaRNov 5, 2003I wish he would make more music!!! I HEART GC!! ki