For 5,910 reviews, this publication has graded:
-
34% higher than the average critic
-
4% same as the average critic
-
62% lower than the average critic
On average, this publication grades 6.1 points lower than other critics.
(0-100 point scale)
Average Music review score: 67
Highest review score: | Magic | |
---|---|---|
Lowest review score: | Know Your Enemy |
Score distribution:
-
Positive: 3,628 out of 5910
-
Mixed: 2,242 out of 5910
-
Negative: 40 out of 5910
5910
music
reviews
-
- Critic Score
Invasion of Privacy flaunts so many different aspects of Cardi's game, it comes on like a greatest hits album, as undeniable as the excellent New Wave suit she rocks in the cover art.- Rolling Stone
- Posted Apr 6, 2018
- Read full review
-
- Critic Score
Former guitarist for roots heroes the Blasters, Alvin fills his 11th album with small towns, highways and losers we imagine he's encountered on countless tours.- Rolling Stone
Posted Jun 22, 2011 -
- Critic Score
[This collection is] loving genuflection; it's also proof that Johnson, 21st-century country's outlaw ne plus ultra, is also one of its most sensitive balladeers – beneath the scary beard, he's an old softie.- Rolling Stone
- Posted Oct 16, 2012
- Read full review
-
- Critic Score
With freight-train heavy riffs so indebted to Sabbath's Tony Iommi that he should get royalties, trippy lyrics about diverse subjects such as weed, ganja and pot, and endless groove for days on each of their songs, they've made an album that sounds exactly how Sleep should sound in 2018.- Rolling Stone
- Posted May 30, 2018
- Read full review
-
- Critic Score
It’s “woke,” but in the sense of “sleep-deprived so long the fluttering of your eyelids booms like kettledrums,” and that realm of paranoid body-freezing anxiety is the zone where Yorke feels right at home.- Rolling Stone
- Posted Jun 27, 2019
- Read full review
-
- Critic Score
Malkmus doesn't display his wry humor as much as usual on Sparkle Hard (though "Refute," a country duet with Kim Gordon, is a hilarious portrait of Portlandian romantic intrigue). But the album still manages to generate a unique empathy for the world and those enduring it around him.- Rolling Stone
- Posted May 17, 2018
- Read full review
-
- Critic Score
There's a campfire vibe, though given the heat put out by even the acoustic jams, bonfire is more like it. The electric guitars flash like lightning, the looping melodies and Tamashek raps hypnotize.- Rolling Stone
- Read full review
-
- Critic Score
There's a kick in the way song after song masks his darkish vision in elegantly hooky arrangements whose sonic signature owes more to folk rock than to prog or musical theater. [5 Oct 2006, p.68]- Rolling Stone
-
- Rolling Stone
- Read full review
-
- Critic Score
On the fifth Breeders album, the songs are all cinematic movement--hiding, escaping, screaming in the meadow, running for the exit.- Rolling Stone
- Posted Mar 2, 2018
- Read full review
-
- Critic Score
On Sometimes, Forever, every languid lyric and opaque melody feels strategically placed with care and concern.- Rolling Stone
- Posted Jul 1, 2022
- Read full review
-
- Critic Score
Her rap style and World Wide Whack’s buoyant production make sure its heavy themes don’t weigh it down; instead, the beats build her character.- Rolling Stone
- Posted Mar 15, 2024
- Read full review
-
- Critic Score
Hey What is a well-rounded experience from the first track, the gorgeously devastating “White Horses,” to the last, “The Price You Pay (It Must Be Wearing Off)” and all its tentative hope, with moments in between that ebb and flow with the capriciousness of human emotion.- Rolling Stone
- Posted Sep 10, 2021
- Read full review
-
- Critic Score
Her new band's no-frills approach incorporates doo-wop melodies and Joan Jett anthemics without ever being cutesy or overthought. Clearly, she's no novice at heartache.- Rolling Stone
- Posted Oct 15, 2014
- Read full review
-
- Critic Score
Thanks for the Dance is a surprise, a sort of séance as shiva, a magnificent parting shot that’s also that exceptionally rare thing — a posthumous work as alive, challenging, and essential as anything issued in the artist’s lifetime.- Rolling Stone
- Posted Nov 22, 2019
- Read full review
-
- Critic Score
What makes this music connect is Simon’s ability to make a spiritual setting feel down-to-earth, what you might expect from one of American pop music’s greatest conversational songwriters.- Rolling Stone
- Posted May 18, 2023
- Read full review
-
- Critic Score
[Don’t Forget Me reveals] a rustic, more organic-feeling pop-rock sound. Upbeat tracks like “On and On and On” and “Never Going Home” are perfectly made for big-voiced sing-alongs in a way that brings to mind Michelle Branch’s early work. Meanwhile, the meditative high-note “All the Same” is raw and elemental. .... The sense of unguarded affection perfectly sums up Don’t Forget Me.- Rolling Stone
- Posted Apr 11, 2024
- Read full review
-
- Critic Score
More than any of his previous albums, Pretty Toney hones Ghost's wild style into accessible confections.- Rolling Stone
- Read full review
-
- Critic Score
This sloppy but spirited congregation may well end up as an alt-rock novelty, but more disciplined souls might want to follow the way that The Beginning Stages of . . . suggests.- Rolling Stone
- Read full review
-
- Critic Score
Yoshimi isn't the end-to-end triumph that was 1999's The Soft Bulletin.... But the production is equally ambitious, with burbling electrobeats underpinning sci-fi orchestrations that sound like the brainchild of Esquivel and the Orb.- Rolling Stone
- Read full review
-
- Critic Score
The fourth Blood Orange LP is equally powerful, and maybe even more personal than [2016’s Freetown Sound].- Rolling Stone
- Posted Aug 27, 2018
- Read full review
-
- Critic Score
She’s got a sly sense of music history, which is how she can reach so far on Cuz I Love You.- Rolling Stone
- Posted Apr 22, 2019
- Read full review
-
- Critic Score
A fine set of yacht-y, good-natured, mind-finding tunes. [Jul/Aug 2021, p.133]- Rolling Stone
Posted Jul 22, 2021 -
- Critic Score
Kozelek remains as inscrutable as ever, but he avoids the archness that sometimes infected his earlier work. [27 Nov 2003, p.92]- Rolling Stone
-
- Critic Score
Goats Head Soup didn’t — and still doesn’t — sound like what one would have expected from the Stones after Exile. ... The alternate mixes of a few of its songs don’t add terribly much, but the same can’t be said of an instrumental jam on “Dancing with Mr. D,.” which lets you eavesdrop as the band locks into a groove and jams without Jagger. ... The Brussels Affair bristles.- Rolling Stone
- Posted Sep 4, 2020
- Read full review
-
- Critic Score
Vince’s knack for combining brevity and sly wordplay, together with Kenny Beats’ restrained production, make the album particularly lucid from start to finish.- Rolling Stone
- Posted Jul 9, 2021
- Read full review
-
- Critic Score
It’s rare to hear Dylan sound like a fan trying to be a peer, but that’s what’s evident here. Those sessions serve as the core of Travelin’ Thru, Dylan’s 15th “Bootleg Series” release, but since the Man in Black is spry and dominant throughout — he’s the true star here — it could also be a new entry in his own Bootleg Series.- Rolling Stone
- Posted Oct 31, 2019
- Read full review
-
- Critic Score
Guest turns by singer Jessy Lanza and violinist Owen Pallett are telling high points--if Snaith's vocals sometimes lack character, his tracks never do.- Rolling Stone
- Posted Oct 15, 2014
- Read full review
-
- Critic Score
Often on Currents it feels like you've camped out in a middle spot at a festival, halfway between a mainstage rock headliner and the dance tent.- Rolling Stone
- Posted Jul 17, 2015
- Read full review
-
- Critic Score
Extends the murky, revelatory folk of [Bonnie Light Horseman] with wistful reflections on the passing of time and free-falling in love. [Jan 2022, p.71]- Rolling Stone
Posted Jan 26, 2022 -
- Critic Score
At its worst, the music on Everyone’s Crushed sounds like etudes – studies in experimentalism, finger exercises for tyros in the avant-garde. But when Water From Your Eyes find transcendence – especially on the record’s final two tracks, “14” and the extra winky “Buy My Product” – it can be quite stunning.- Rolling Stone
- Posted May 26, 2023
- Read full review
-
- Critic Score
The band has tossed some of the sunny pop of 2001's The Coast Is Never Clear, paring down some of the horn-happy melodies that have defined their style, but their songs are still bright and elegant.- Rolling Stone
- Read full review
-
- Critic Score
JPEGRAW is both a musically dense snapshot of an American stoner dad just trying to focus in a world that allows for anything but, and an album that amalgamates an array of sounds, influences, riffs, and samples while still finding room for the searing guitar solos that made his reputation.- Rolling Stone
- Posted Mar 21, 2024
- Read full review
-
- Critic Score
Cottrill, who performs as Clairo, raises the stakes on Sling, her compelling, sharply-focused and musically adventurous second album.- Rolling Stone
- Posted Jul 16, 2021
- Read full review
-
- Critic Score
Beam finally brings the blood, instrumental colors and quirky but fluid arrangements that make explicit the worry and wounds running red in his Southern-gothic stories and dead-love letters.- Rolling Stone
- Read full review
-
- Critic Score
Her debut full-length fuses together jagged textures, vaporous synths and her versatile voice into forward-thinking R&B animated by its restless innovation.- Rolling Stone
- Posted Oct 6, 2017
- Read full review
-
- Critic Score
Transatlanticism should be overwrought -- it's an album about young men enduring lost love in an ocean of memory; instead, it feels like a conversation with an old friend.- Rolling Stone
- Read full review
-
- Critic Score
Lee’s sound design—the rush of Uzi getting sucked into a portal, the hum of the spaceship engine, the unsettling, pulsating rumble coming from the great beyond—co-exists seamlessly with the album’s production. It creates narrative tension and helps create a broader cosmic context for his sex marathons and shopping sprees, for the great eccentric force with which he raps and sings.- Rolling Stone
- Posted Mar 12, 2020
- Read full review
-
- Critic Score
Painful memories are twirling around in Lenker’s head on Songs. It’s an album that lives up to it’s name by capturing the basic, natural truth of her art.- Rolling Stone
- Posted Oct 30, 2020
- Read full review
-
- Critic Score
A pulse-quickening, mind-tickling dance LP 27 years after their debut? This duo did much more than get lucky.- Rolling Stone
- Posted Jul 16, 2013
- Read full review
-
- Rolling Stone
- Posted Jun 3, 2014
- Read full review
-
- Critic Score
Vampire Weekend have gotten better at just about everything they do.- Rolling Stone
- Posted May 7, 2013
- Read full review
-
- Critic Score
Grande’s latest is a gorgeously exposed journey to the end of her world — or at least what she believes to be the end. It’s a divorce album that goes through all the stages of grief, and the singer navigates a new beginning with some of the most honest and inventive songs of her career so far.- Rolling Stone
- Posted Mar 7, 2024
- Read full review
-
- Rolling Stone
- Read full review
-
- Critic Score
It's no surprise that Wire still aspire to make complex, strange punk; the shocker is that the spine-tingling Send sounds fresher than the pop punk currently being generated by pups half their age.- Rolling Stone
- Read full review
-
- Critic Score
The rare art-rock album that comes as much from the heart as the head.- Rolling Stone
- Read full review
-
- Critic Score
El Camino is the Keys' grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.- Rolling Stone
- Posted Dec 6, 2011
- Read full review
-
- Critic Score
It's a dizzying, nonchronological spin through the Madonna years, years it makes you feel lucky to be living through.- Rolling Stone
- Read full review
-
- Critic Score
His music is loose and rustic, his writing skirts the heart of the matter instead of bulldozing into it, and his careful deadpan imbues everyday statements with almost mystical resonance.- Rolling Stone
- Posted Sep 17, 2013
- Read full review
-
- Critic Score
With age/sex/location, Lennox has delivered her best work to date, one that mostly leaps past her patchy but inspired Shea Butter Baby debut in quality.- Rolling Stone
- Posted Sep 30, 2022
- Read full review
-
- Critic Score
It seems the isolation of lockdown made her bolder about looking inside herself. The most exciting thing about Hold the Girl is that you can’t even guess where Sawayama might go next.- Rolling Stone
- Posted Sep 13, 2022
- Read full review
-
- Critic Score
This isn't a mixtape, it's a suite of songs, paced and sequenced for maxaqimum impact.- Rolling Stone
- Read full review
-
- Critic Score
Her best LP since 1998's landmark Car Wheels On A Gravel Road. [May 2020, p.89]- Rolling Stone
Posted May 5, 2020 -
- Rolling Stone
- Posted May 15, 2014
- Read full review
-
- Critic Score
Her goal on The Collective, as was her goal with Sonic Youth, is to subvert listeners’ expectations. Gordon will turn 71 next month, and she’s made one of the most daring albums of her career. If you want to get it though, you have to turn it up and submit.- Rolling Stone
- Posted Mar 7, 2024
- Read full review
-
- Critic Score
[Lambchop vocalist Kurt] Wagner shares a sense of offbeat phrasing and doleful humor with his singer-songwriter friend Vic Chesnutt that is both profoundly Southern and affectingly universal.- Rolling Stone
- Read full review
-
- Critic Score
It's Malin's personal reflections, such as growing up a child of divorce in the Seventies in "Almost Grown," that give Fine Art its soul.- Rolling Stone
- Read full review
-
- Critic Score
Bun B, doesn't wallow in the macabre. Instead, we get UGK basics: songs about drugs, sex and flossing, flavored with thudding, no–nonsense beats.- Rolling Stone
- Read full review
-
- Critic Score
Their most compellingly dire-sounding [album], not as grabby as their 2005 debut, Funeral Dress, but rocking out in a frayed, mordant way that makes every stick-in-your-head chorus they share seem like a small triumph.- Rolling Stone
- Posted Jan 4, 2012
- Read full review
-
- Rolling Stone
- Posted Apr 23, 2013
- Read full review
-
- Critic Score
On the first half of her impressive solo debut, Presley fills her disappearing middle-class blues with sharp, compassionate tales of unfulfilled pensions and steep tuition bills. Later on, the bona fide coal miner's daughter changes gears with a series of vulnerable country-soul ballads.- Rolling Stone
- Posted Jan 30, 2015
- Read full review
-
- Critic Score
These 12 songs map out a concise history of American soul, with a heavy dose of New Orleans strut.- Rolling Stone
- Posted May 4, 2015
- Read full review
-
- Critic Score
The album arcs like a well-calibrated live set through the soaring "Thorns of Life," the Hall and Oates soul of "Sarah, Surrender," and the title track's spikey New Orleans funk.- Rolling Stone
- Posted Jun 21, 2017
- Read full review
-
- Critic Score
It's a revelation. Tyros (Maren Morris) and legends (Dolly Parton) mine deep cuts to reveal in John's songs a very country strain of stoic melancholy. Miranda Lambert delivers a stormy "My Father's Gun"; Don Henley and Vince Gill wring pathos from the divorce lament "Sacrifice."- Rolling Stone
- Posted Apr 6, 2018
- Read full review
-
- Critic Score
Always an underrated vocalist, he delivered lyrics with two-pack-a-day gravitas, gruff aggression and flashes of fraying soulfulness. Musically, he doubled down on vintage earthiness and living history. ... The deluxe edition includes six bonus tracks that show just how much fun these guys were having at the time.- Rolling Stone
- Posted Apr 5, 2019
- Read full review
-
- Critic Score
For the most part, Years finds Anderson at his most convincing, and moving, since his hit-making heyday. It’s the type of record that should cast his entire discography in a new light, an inspired offering that shows a forgotten legend pulling off a new trick just as effectively as his old ones.- Rolling Stone
- Posted Jul 6, 2020
- Read full review
-
- Critic Score
Americana firebrand makes a grand rock & roll record worthy of her Bowie jumpsuits. [Sep 2020, 68]- Rolling Stone
Posted Sep 10, 2020 -
- Critic Score
A tonally and emotionally dynamic set of of originals that touches on compassion, perseverance, and divine intervention. [Jul/Aug 2021, p.137]- Rolling Stone
Posted Jul 20, 2021 -
- Critic Score
Despite its scattershot title and the fact that it was recorded in five separate studios across Nashville and California, Strays feels like Price’s most cohesive collection yet guided by light West Coast shadings courtesy of Jonathan Wilson (Father John Misty, Dawes). Price finds ways to effectively and subtly tease out different shades from her longtime versatile band, the Price Tags.- Rolling Stone
- Posted Jan 10, 2023
- Read full review
-
- Critic Score
A great album of stretching out, proving that her sounds and beats can do more than just make feet tangle.- Rolling Stone
- Posted Sep 27, 2018
- Read full review
-
- Critic Score
Todd Snider's compressed story-songs are so vivid and knowing that they seem completely plausible, even the one on his new album voiced by a piece of discarded junk mail that dreams of being a tree again.- Rolling Stone
- Read full review
-
- Critic Score
At 15 tracks, Petals for Armor can occasionally feel redundant; two or three songs feel like retread territory that was better explored elsewhere, and there’s only so many metaphors you can create for flowers. Still, the album’s final third, while the most pop-oriented section, is also its most interesting. ... It’s the sound of an artist blooming into some the best music of her career.- Rolling Stone
- Posted May 7, 2020
- Read full review
-
- Critic Score
If listeners have the stamina — and the patience — Senjutsu is one of the most rewarding and vital albums in Maiden’s catalog.- Rolling Stone
- Posted Sep 3, 2021
- Read full review
-
- Critic Score
Most of Spiritualized's ninth LP comes off intricate, elastic, and soulful. [Mar 2022, p.71]- Rolling Stone
Posted Mar 10, 2022 -
- Critic Score
Japandroids sing about lost youth and sex and drinking atop hammer-of-the-geeks distortion swirls and holler-along refrains a gorilla could pump some paw to.- Rolling Stone
- Posted Jun 5, 2012
- Read full review
-
- Critic Score
To be sure, it's a jazz album, as much about tradition as expanding it, informed by Coltranes (John and Alice), Miles Davis fusions, bebop and more; yet it's clearly shaped by crate-digger funk and film scores, hip-hop collage and gospel.- Rolling Stone
- Posted Jun 18, 2015
- Read full review
-
- Critic Score
An album that rewards both short attention spans and deep listening. It’s a real treat to hear them zip between sonic epiphanies.- Rolling Stone
- Posted Oct 28, 2021
- Read full review
-
- Critic Score
Badu seems so taken by hazy texture--and so determined to play the weirdo--that she's neglected to write many actual songs.- Rolling Stone
- Read full review
-
- Critic Score
This isn't just B.B. King's best album in years, it's one of the strongest studio sets of his career, standing alongside classics such as "Singin' the Blues" and "Lucille."- Rolling Stone
- Read full review
-
- Critic Score
Mostly they provide gentle melodic loops familiar to fans of old-school soukous and indie-rock fusionists like Vampire Weekend. But sometimes they break ranks.- Rolling Stone
- Read full review
-
- Critic Score
This handsome solo acoustic set overlaps a few songs with earlier entries in Neil Young's official bootleg series. But there's no shortage of standouts.- Rolling Stone
- Posted Dec 10, 2013
- Read full review
-
- Critic Score
Just a classic power trio lineup in the spirit of Midwest post-punk juggernaut Husker Du and its barely-sweetened antecedent Sugar, with Bob Mould conjuring the ecstatic rage of his earlier bands for a grim new era, apparently still convinced that the best way to meet crushing hopelessness is by barreling head first through it with a throat-shredding howl and all amps cranked.- Rolling Stone
- Posted Mar 23, 2016
- Read full review
-
- Critic Score
The album doesn’t possess the piercing introspection, precision or revelatory quality of Swimming, but of course, Miller wasn’t there to see it across the finish line. It serves as a fitting coda to his career.- Rolling Stone
- Posted Jan 17, 2020
- Read full review
-
- Critic Score
Her torchy virtuosity on her medium-small vocal instrument, applied to country-bluesy-Stonesy ballads and driving midtempo rave-ups, transforms what could have been a dull exercise in rote revivalism into sweet soul music.- Rolling Stone
- Read full review
-
- Critic Score
If you liked Warm, you’ll like Warmer. It’s Tweedy at his most self-findingly laid back, low-key and ruminative, leavening intimate recreational folk-rock with offhanded guitar tastiness.- Rolling Stone
- Posted Jul 8, 2019
- Read full review
-
- Rolling Stone
Posted Mar 6, 2020 -
- Critic Score
uknowhatimsayin¿ succeeds as a kind of high-wire act that balances Brown’s folk hero status against his documentarian sensibilities, tragedy against comedy, bluster against self-mockery. It’s shorter than his previous albums, and also lean in a way that few other rappers could replicate. Five albums in, he remains a singular talent who only needs a few short words to tell a good story.- Rolling Stone
- Posted Oct 8, 2019
- Read full review
-
- Critic Score
Us sounds great, with Ali's sensitive, stentorian voice plowing through sleek jazz and blues loops from producer Ant. But the album ends up blandly heavy, weighed down with dark street dramas and lessons about how "the same color blood just pass through our veins."- Rolling Stone
- Read full review
-
- Critic Score
Despite its length and musical theme, Cruel Country doesn’t at first feel like a grand statement, but Tweedy has subtly laid out the ambitious concept of tying his classic American music to the classical theme of American social and political alienation (this, Uncle Tupelo fans, is where the record truly becomes roots music).- Rolling Stone
- Posted May 27, 2022
- Read full review
-
- Critic Score
Live in Paris is a 48-minute purge reaffirming the power of that hoary rock cliché, the live LP.- Rolling Stone
- Posted Feb 8, 2017
- Read full review
-
- Critic Score
The results are both pure Ellington ('Day Dream') and Monk ('Bright Mississippi'), as well as pure Toussaint, emotionally and structurally expansive, yet as keenly done as one of Toussaint's perfectly knotted ties.- Rolling Stone
- Read full review
-
- Critic Score
He’s pulled off the neat trick of making his music at once elegant and more refined but also warmer and more intimate — the polished-marble smoothness of Steely Dan with the generosity of an Al Green or Yo La Tengo record.- Rolling Stone
- Posted May 16, 2022
- Read full review
-
- Critic Score
It's full of surprising, creative moments that recall Nas and Kanye West.- Rolling Stone
- Read full review
-
- Critic Score
That dead-end sense haunts the people he sings about on much of Look Now; they’re further down the road of life yet just as troubled because, as always, a satisfied person in an Elvis Costello feels like someone who got off at the wrong bus stop.- Rolling Stone
- Posted Oct 11, 2018
- Read full review
-
- Rolling Stone
- Read full review
-
- Critic Score
The music is as bleep-y as it is banging (James Blake produces on two tracks) and touchstones include Andre 3000, James Joyce, Leonardo DiVinci and Jay Gatsby.- Rolling Stone
- Posted Sep 1, 2016
- Read full review
-
- Critic Score
It ultimately sounds like a radio stuck between two stations, a bit like the Hold Steady with laryngitis. Luckily there are enough musical diversions to keep it interesting.- Rolling Stone
- Posted Oct 5, 2018
- Read full review
-
- Critic Score
The production is vivid, trippy and abrasive, bleeding the line between hip-hop and EDM--a sound as compellingly haywire as Brown is an MC.- Rolling Stone
- Posted Oct 7, 2013
- Read full review
-
- Critic Score
So goes the follow-up to the 'Chunk's 2010 comeback, Majesty Shredding: rock vets fighting demons with delicious noise and sugar-crusted hooks as darkness falls.- Rolling Stone
- Posted Aug 20, 2013
- Read full review
-
- Critic Score
Though Silver Bell meanders at times, "Little God" (which might be about the devil) and the vengeful "Sorry and Sad" pit her thoughtful, detailed lyrics and blue, reedy voice against tough Stones-in-the-bayou guitars.- Rolling Stone
- Posted Nov 18, 2013
- Read full review