- Critic score
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- By date
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Those hoping to be converted are likely still to doubt the 'voice of a generation' tag.
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SpinNot since U2 built an Atomic Bomb has one band tried so hard to turn each track into a breahless epic. [Feb 2007, p.84]
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Too often Bloc Party aim for an overly expansive epic Coldplay quality that compromises the focus of their songwriting.
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There's barely a song that isn't kneecapped by one of Okereke's lyrical clangers.
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The New York TimesClaustrophobic with multitracked vocals and baroque effects, the album lacks the wiry catchiness of hits like “Banquet.” [5 Feb 2007]
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UncutFor an album that strives to articulate the youthful pleasure-rush of love, drugs, and power, this is a worryingly pedestrian effort. [Mar 2007, p.75]
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The psychic bruising Okereke has sustained playing the East London fame game during the past 12 months has produced self-pitying lyrics that frequently state the bleeding obvious.
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MojoThe album's substantial rewards lie in the unorthodox rhythms of drummer Matt Tong. [Mar 2007, p.102]
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Q MagazineAn album of palatable Radio 1-friendly alt-rock. [Mar 2007, p.110]
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The second half of the album falls into a malaise as tempos slow and arrangements become more orthodox, placing Bloc Party closer to Coldplay than one would have thought possible two years ago.
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Alternative PressThey play things way too safe... which makes for a rather boring listening experience. [Mar 2007, p.142]
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Rolling StoneThough the new bunch [of songs] are sharply executed, they cry out for killer choruses now that they're not just outcries of generational frustration. [8 Feb 2007, p.70]
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'A Weekend In The City'... fails because it tells us nothing new.
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This young band has something fresh to say, which softens the letdown that their late attempt at post-punk heroism falls short.
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A Weekend in the City borders on emo in its wordy self-obsession, so even though the record is actually more sonically adventurous than its predecessor, it seems like a massive step backward.
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Okereke now sings instead of barking, and, well, oops on him.
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It’s a difficult album to love, or even like. But, for all its faults — and there are many — there is enough here to make one think that maybe, just maybe, Bloc Party are capable of making, with their third LP, the kind of challenging yet highly accessible pop album they think they’ve made here.
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The direction in which Bloc Party has traveled is entirely unsuited to its strengths.
Awards & Rankings
User score distribution:
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Positive: 211 out of 320
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Mixed: 37 out of 320
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Negative: 72 out of 320
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Mar 25, 2021
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Feb 20, 2021
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Mar 2, 2018This review contains spoilers, click full review link to view.