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- Summary: The sixth full-length release for the Colombian experimental producer features spoken-word sections she created with Henry Andersen.
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- Record Label: RVNG Intl.
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 7 out of 7
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Mixed: 0 out of 7
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Negative: 0 out of 7
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May 8, 2018At times the record is hypnotic and yet mesmerizing with its abstract sound quirks. Heartfelt and authentic, each listen brings something new.
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May 8, 2018A series of instrumentals pivot and twist slyly, dropping hints of chord and lithe rhythm, but the bolder moments of the album's opening section aren't repeated. Instead it ends with a track called "Antiform," two minutes of hiss and vague metallic clanking. At first this is sort of a disappointment, but on repeat listens it deepens the album's appeal.
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Jun 21, 2018A potent and provocative album.
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May 8, 2018It’s an album full of interstitial forms that flicker in between fixed states, and its magic lies in that liminal no-man’s-land.
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The WireJul 12, 2018Drawing on such lofty motifs doesn’t make Dalt’s records any less intimate or enjoyable. Instead, they offer more space for exploring the most vulnerable corners of an artist’s emotional state, by using metaphor and allusion as a way to express the inexpressible. [Jun 2018, p.52]
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Sep 11, 2018This is an immersive listen, full of eerie familiarity and suspended body horror; a quasi-mystical sense of oneness gives Anticlines cohesion and a sense of spiritual comfort, and somehow reminds of of the vast indifferent universe as we descend into environmental disaster.
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May 8, 2018It contains extraordinary moments of dissonance, rhythms coalescing and congealing then melting away, quietly shimmering choral vocoders. It’s (even) less pop-influenced than earlier works of Dalt’s (Commotus, for example). In its latter half, it sometimes errs into a backgroundish quality, disappearing into its own subtlety
Score distribution:
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Positive: 1 out of 1
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Mixed: 0 out of 1
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Negative: 0 out of 1
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Jul 13, 2018
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