• Record Label: Republic
  • Release Date: Apr 27, 2018
Metascore
51

Mixed or average reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 2 out of 10
  2. Negative: 0 out of 10
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  1. May 7, 2018
    56
    This moment of fuzzed-out, fucked-up pop music with questionably scant odes to rap music is not designed for posterity. To his credit, Post gets that, and is content to make overlong albums where every song can be a single. Not every song on beerbongs and bentleys can be a single, but there’s enough of them hiding in there to make it one of 2018’s more rewarding releases.
  2. May 3, 2018
    56
    At times it’s almost impressive how long an album called Beerbongs & Bentleys can go without cracking a smile. It is more assured and impressive than its predecessor, Stoney, but it’s also more exhausting.
  3. May 18, 2018
    50
    Beerbongs & Bentleys is an apt reflection of his lavish lifestyle and his subsequently begotten hardships, but its attempts at sincerity work only when Post Malone stops trying so hard.
  4. May 2, 2018
    50
    By no stretch of the imagination is Beerbongs & Bentleys a good album, but it’s admirable in its commitment to its strangely singular dirtbag vision of L.A. luxury. It isn’t consistent enough to mold Post Malone fully into the Soundcloud rap version of Ed Sheeran, but it will certainly allow him to stick around for at least a few more years.
  5. May 3, 2018
    42
    “Same Bitches” sounds like a song Ty Dolla $ign once made and ultimately scrapped, and Post was more than happy to turn another man’s trash into his treasure, no matter how awkward or forced he sounds among more natural fits G-Eazy and YG.
  6. May 1, 2018
    40
    Beerbongs & Bentleys’ defects might be less evident in smaller doses, if you consider it less as an album than a collection of songs made for picking and choosing, for filleting on to playlists, then the aforementioned hooks, choruses and production touches might well outweigh the repetitiousness and predictability.
  7. Many of the songs deal in wavy synths and trap beats, but a few tracks show an appetite for experimentation that reflects poorly on the rest of the album.
  8. May 1, 2018
    40
    The 18 tracks of Beerbongs become an ouroboros of new-money narcissism: Post's obsession with flexing, partying, and banging groupies feeds a growing paranoia that the people around him only like him for exactly those attributes. And it is no small irony that the album's most convincing moments occur when he drops the cool rapper pretense and gets all lonesome cowboy.
User Score
6.7

Generally favorable reviews- based on 277 Ratings

User score distribution:
  1. Negative: 50 out of 277
  1. May 1, 2018
    10
    Stoney was an absolute mess to me. it had no depth and I could never get a true feel for it, however though B&B has its dull moments I feltStoney was an absolute mess to me. it had no depth and I could never get a true feel for it, however though B&B has its dull moments I felt compelled to give it a perfect score based on the growth alone. Post Malone has gone from a wannabe soundcloud rapper to a potential artist. Watching him perform "Stay" live in Nashville has convinced me that Mr. Malone has some great potential. As I said before, the album itself is by no means a perfect 10, rather more of a strong six to a light seven. However, his growth as an artist is so intriguing that I gave it a 10. The transformation within two years is amazing. I'm excited to watch this man grow more and perhaps create a true 10/10 piece in the future. Full Review »
  2. May 3, 2018
    0
    This is not an album, it's a Spotify playlist.
    This guy has no talent what so ever. Stop making stupid people famous!
  3. May 2, 2018
    1
    Generic album! Same old lyrics! No innovation! Almost no songs stand out! Rotten album!