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Apr 16, 2013With Birthmarks, Born Ruffians bring us a deeply personal album.
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Apr 22, 2013Birthmarks' charm lies in its comforting familiarity.
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Apr 15, 2013Birthmarks might throw off some, maybe even lose them, but the gamble has paid off, and will undoubtedly result in producing more new fans, as well as reassuring old ones.
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Apr 15, 2013Whilst not necessarily as endearing as their previous records, Birthmarks may in fact be better.
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Apr 18, 2013Birthmarks is, largely, the sound of the band learning how to gracefully leave behind pre-pubescent tomfoolery in favor of meatier themes and weightier production.
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Apr 15, 2013Ultimately on Birthmarks, Born Ruffians let go of some of their punk rock ramble and hit the pop song sweet spot.
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Apr 23, 2013The album is their most complete work to date.
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Apr 15, 2013Much of Birthmarks is catchy enough to get stuck in your head, if not necessarily memorable enough to stay there.
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Apr 19, 2013Birthmarks is probably the most impressive Born Ruffians record to date, but it’s a shame they travelled so far without straying from the middle of the road.
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Apr 18, 2013Eschewing the indie rock tag, Born Ruffians are embracing a new diversified sound that reaches beyond the guitar-bass-drums trifecta, and for the most part, it hits the mark.
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Apr 15, 2013Far from a landmark statement, the album still has a lot of impressive moments and is an enjoyable spin.
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Under The RadarApr 16, 2013As with Born Ruffians' previous albums, there is nothing especially bad or even enjoyable about Birthmarks. [Mar-Apr 2013, p.91]
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Apr 17, 2013The problem with Birthmarks is twofold: a lack of originality and a lack of hooks.
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MagnetApr 16, 2013Savor Luke Lalonde's chirpy blurts on "Needle" and "Ocean's Deep;" they're soon replaced by increasingly ironed-out dance pop that goes through unfortunate puberty over 12 tracks, from good to bad to worse. [No. 97, p.53]
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Q MagazineApr 15, 2013Birthmarks is far from being a poor record, but it's limited in ambition and reach. [May 2013, p.97]