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- Critic score
- Publication
- By date
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Jun 16, 2015These guys' re-enactment of the soccer-yob side of Seventies punk and pub rock is plenty idealistic.
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May 26, 2015Matador is a multi-part opus of gothic indie via The Stranglers in smacked-out mode, and Walking Home’s classic early 60s feel is enhanced by a splendid end-of-the-pier Hammond organ swell, before falling into wimoweh silliness.
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May 14, 2015The choruses aren't quite as contagiously catchy, and they occasionally try too hard to be clever with their songwriting.
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May 5, 2015Danger In The Club exudes an appealing spontaneity but frustratingly the songwriting still seems a bit haphazard, with the lyrics in particular remaining underwhelming.
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May 4, 2015This second album shows that there is more to their schtick than barely tamed chaos.
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Q MagazineApr 30, 2015It's not quite the classic they desperately want it to be, but Danger In The Club exudes a ragged rock'n'roll spirit which simply can't be manufactured. [Jun 2015, p.109]
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Apr 30, 2015This is a professional album, but the Violets are known as professional rabble-rousers, not professional studio rats.
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Jun 4, 2015Essentially, Palma Violets are revealed as a bit of a one-trick pony on Danger In the Club, with the novelty of their jangly pub-rock fading as quickly as the taste of the violet-flavored candy that they're named after.
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Jun 10, 2015Unfortunately, however, the band too often drops the tuneful troubadour for the drunken singalong.
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May 5, 2015As it stands, the album is a half-baked effort that resembles a collection of demos rather than a high-stakes sophomore album.
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May 13, 2015A charitable perspective might see the band's embrace of pub rock as a conscious rejection of political correctness in the form of so-called good taste; the reality is that it seems like a last-ditch attempt to aestheticize a sublime lack of inspiration.
User score distribution:
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Positive: 7 out of 12
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Mixed: 3 out of 12
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Negative: 2 out of 12
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May 6, 2015
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May 23, 2015
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May 4, 2015