• Record Label: Hyperdub
  • Release Date: Mar 1, 2019
Metascore
71

Generally favorable reviews - based on 9 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 9
  2. Negative: 0 out of 9
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  1. Mar 1, 2019
    80
    Much like Lotic's astonishing Power, Death Becomes Her is an urgent, forward-thinking work which fearlessly celebrates nonconformity while pushing the artist's innovative craft to a new level.
  2. Mar 4, 2019
    76
    On Death Becomes Her, Angel-Ho beautifully transmutes any past anguish into a colorful network of global sonics, a bold statement of trans femininity, and a rallying cry for resistance. At once, Angel-Ho shatters binaries and encompasses dualities.
  3. The Wire
    Apr 3, 2019
    70
    The production has remained faithfully jagged and abrasive, where a trebly and bass-starved sonic narrative enforces a fresh take on what continues to be intense and difficult listening. [Apr 2019, p.50]
  4. Mar 11, 2019
    70
    The debut full-length just introduced her voice, and so, there is much more to be discovered. And, regardless of whether Angel-Ho commits to becoming a pop star, reverts to being a producer, or, most likely, maintains both abilities, her voice matters.
  5. Mar 4, 2019
    70
    Death Becomes Her is an album from an artist who in now beginning to realise her possibilities, not just as a producer but as a performer, and as such she wants to get everything out there, squeezing every last idea into the album. And sometimes her take on pop music might be a little too abrasive to reach the playlists of many a commercial pop station… for now.
  6. 65
    In its finest moments, it demonstrates the potency of experimental club music--dynamic, disorderly and charged with emotion. Sadly, a chunk of tracks amount to more of an endurance test, one which some listeners will simply nope out of.
  7. Mar 1, 2019
    64
    Where the artist's past work used abstract sound as a conceptual approach to trans identity, the choice to embrace lyricism makes Death Becomes Her a more fun and digestible listen.
  8. Q Magazine
    Mar 1, 2019
    60
    The results are anything but fluid, instead capturing the lawless, conflicting thrills of cultural anarchy. [Apr 2019, p.110]
  9. Mar 1, 2019
    40
    Asmara, Gaika, Bon, Baby Caramelle and Nunu all make contributions to the disc, as do rappers K-$ and K-Rizz. Too often, they're at cross-purposes. The album is so lacking in continuity that it fails to sustain either a groove or the listener's attention.

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