• Record Label: Columbia
  • Release Date: May 12, 2017
Metascore
68

Generally favorable reviews - based on 24 Critic Reviews

Critic score distribution:
  1. Positive: 13 out of 24
  2. Negative: 1 out of 24
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  1. 80
    Ultimately Harry Styles feels comfortable and readily worn-in.
  2. May 17, 2017
    80
    It might not be perfect and it might be reductive in parts, but it’s not contrived or calculated.
  3. May 12, 2017
    80
    As eager as he seems to establish a new context--to lift himself out of the realm of branded lunchboxes and touch down among the real rock artistes--Styles never overplays his hand on this winningly relaxed collection.
  4. May 12, 2017
    80
    Through it all, he manages to steer clear of all the traps that ordinarily sabotage a boy-band star's solo move. But as the whole album proves, there's not a thing ordinary about this guy.
  5. 75
    Harry Styles is fun listening and will rightly soundtrack many a summer. But after demanding to be treated as a capital-A Artist, Harry Styles finds himself atop a pedestal without anything to say.
  6. May 15, 2017
    75
    The sheer confidence on display here suggests he’s more than up to the challenge; hopefully the songs will someday catch up to his ambition.
  7. 75
    Reconciling the folkie and the rogue hardly seems like Harry’s priority; instead, the 23-year-old basks in the privilege of paying tribute to his many musical heroes, and trying on all the styles that fit.
  8. May 17, 2017
    70
    Sometimes great, sometimes foggy album, which is almost bold in its resistance to contemporary pop music aesthetics.
  9. May 16, 2017
    70
    Occasionally, as on Carolina or Only Angel, it dips into bland pastiche, but generally this is a fine solo effort from, lest we forget, one of the most famous twentysomethings on the planet.
  10. May 12, 2017
    70
    With his debut, Styles manages to escape the notorious curse of former boy banders, turned leading men, creating an immersive, reference-fuelled tribute to classic rock for the millennial generation.
  11. May 11, 2017
    70
    Harry Styles works exceedingly well as a modern pop album and an extension of the One D sound and brand, but as the kind of personal statement Styles wants to make, it comes very close, but ultimately falls just short. More weirdness, less slickness, and a distinct musical vision next time and maybe he'll get there.
  12. May 16, 2017
    68
    Take issue with Styles’ taste at your leisure, but there’s no denying his comprehensiveness. His vocal performances are invariably the best parts of these songs.
  13. May 15, 2017
    68
    This is music that plays well in every venue, from the late night hangouts of urban bohemia to the awkward houses of the indie disco.
User Score
8.0

Generally favorable reviews- based on 1530 Ratings

User score distribution:
  1. May 12, 2017
    1
    I give him credit for at least attempting to be different. However, going against the popular norm does not automatically equal good music. II give him credit for at least attempting to be different. However, going against the popular norm does not automatically equal good music. I could tolerate only one song, the rest I hated, thus a score of 1. Comparisons to Fleetwood Mac and Bowie are not only exaggerated but disrespectful. Never a One Direction fan, but I honestly expected way more given the hype from Rolling Stone etc. Full Review »
  2. May 12, 2017
    7
    Blending sweeping ballads with 70’s soft-rock inspired jams, Harry Styles’ self-titled album is an entertaining and confident debut for theBlending sweeping ballads with 70’s soft-rock inspired jams, Harry Styles’ self-titled album is an entertaining and confident debut for the former One Direction star. Full Review »
  3. May 12, 2017
    10
    Harry Styles self titled album is a naive debut from an artist coming from one of the most successful boybands of this decade. Speaking ofHarry Styles self titled album is a naive debut from an artist coming from one of the most successful boybands of this decade. Speaking of popularity in the group, Harry has definitely the most handsome, the most talked, the most talented, etc. And if you ask me, i would never imagine the Harry Styles from One Direction was going to full Rock N Roll for his debut; and the album it's not only full Rock N Roll, but it's actually really good.
    There's no doubt that Meet Me In The Halfway, Sign Of The Times, and From The Dining Table are highlights, but the rest of the album is not far from them. Harry goes full Rock N Roll with Carolina, Only Angels, and Kiwi, wich are the only upbeat songs of the album. In Woman, Harry shows his funky side, that could belong straight to a Prince album or to David Bowie's Let's Dance album. For me, Ever Since New York is one of my favorites; it reminds me of U2's The Joshue Tree era, specially to In Gods Country, which is a good thing.
    This debut album only make us ask ourselves if this album will be a classic of our generation; question that only time will teel us.
    Full Review »