• Record Label: Sub Pop
  • Release Date: Mar 4, 2016
Metascore
80

Generally favorable reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 14
  2. Negative: 0 out of 14
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  1. Apr 28, 2016
    89
    Constructed of parts from Assemble Head in Sunburst Sound, Comets on Fire, and Howlin Rain, the eponymous San Francisco quartet drowns ethereal folk melodies in a cauldron of distortion and feedback.
  2. 85
    Yes, notes and chords are fun and all, but these songs are precisely-controlled messes, and beautifully so. Simply put, Heron Oblivion is a guitar-centric record for those who thought Marquee Moon was too linear.
  3. 80
    It’s the pastoral style of Pentangle overlaid with crazed early-70s wah-wah duelling--think a pistols-at-dawn affaire d’honneur between Larry Wallis and Mick Bolton--and it’s very good indeed.
  4. Mar 18, 2016
    80
    Rock that soothes and sears at once is a rare thing, and Heron Oblivion has made a whole album that makes the contradictions feel like an ancient tradition.
  5. Mar 11, 2016
    80
    One of the strongest debut albums in recent memory.
  6. The Wire
    Mar 8, 2016
    80
    The guitar duels still give plenty of heat and smoke, but they're more smouldering and linear than Comets' intemperate explosions. [Mar 2016, p.46]
  7. Mar 8, 2016
    80
    It's quite simply a thrilling, white-knuckle ride of a record. Its quieter moments are really just momentary respite from a soaring squall of sonic psychedelics.
  8. 80
    A Heron Oblivion moment--there’s a powerful one in nearly every track.
  9. Mojo
    Mar 1, 2016
    80
    Their debut album triumphs, thanks to how well those constituent parts complement each other. [Apr 2016, p.91]
  10. Mar 1, 2016
    80
    On their debut album, they strike a balance between delicate, pastoral folk and heavy, loud space rock, with Meg Baird's fragile, wispy vocals sharing the stage with Noel von Harmonson and Charlie Saufley's crushing guitar solos.
  11. Mar 3, 2016
    77
    The songs are moody and dark, with clear moments of guitar solo-driven catharsis.
  12. Uncut
    Mar 1, 2016
    70
    Trees might be the best '70s antecedent; the Japanese Ghost a more modern analogue for these seething reveries, tantalisingly poised on the edge of freak-out. [Apr 2016, p.74]
  13. Q Magazine
    Mar 1, 2016
    60
    Baird's pure vocals might promise a bucolic dream, but there's the seed of a nightmare mushrooming here, a tension Heron Oblivion push as far out as they can. [Apr 2016, p.107]
  14. Mar 1, 2016
    60
    The songs aren’t always resolved and have an element of hit-or-miss jam around the edges, but they are thrilling at times.

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