Metascore
72

Generally favorable reviews - based on 14 Critic Reviews

Critic score distribution:
  1. Positive: 11 out of 14
  2. Negative: 0 out of 14
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  1. Magnet
    Apr 15, 2016
    80
    With Hitch, the Joy Formidable has expanded its sonic palette and subsequently zeroed in on its ultimate sound. [No. 130, p.57]
  2. Mar 29, 2016
    80
    Hitch is a startling achievement of creativity. It doesn’t reinvent The Joy Formidable wheel but it refines everything they’ve done until this point and presents their most complete package yet.
  3. Mar 25, 2016
    80
    If the songwriting on Hitch is, to coin an old music hack turn-of-phrase, ‘mature’, it’s also concise--in a good way.
  4. Kerrang!
    Mar 23, 2016
    80
    The Joy Formidable still roar. In fact, on Hitch, they sound more like themselves than ever before. [26 Mar 2016, p.52]
  5. Mar 25, 2016
    75
    Working in a variety of moods and styles, The Joy Formidable proves with Hitch that it doesn’t need an overkill of energy to excite.
  6. Apr 11, 2016
    70
    While Hitch may kick off poorly, it more than makes up for it by back-ending the tracklist with some of the band's best work.
  7. Mar 25, 2016
    70
    Hitch doesn't really deviate, at least sonically, from the template. Where it does separate itself from the two prior outings is in its lyrical themes.
  8. Alternative Press
    Mar 23, 2016
    70
    Thanks in part to Alan Moulder's always-nuanced mix, Hitch balances the band's bombast with restraint. [Apr 2016, p.102]
  9. Mar 23, 2016
    70
    While both the maudlin pop diversions and studio experiments are palatable enough, the band remains strongest at its most strident, pounding out massive choruses in an ocean of churning guitars, adorning them with syncopation or weird time interplay, and just going for it. Thankfully, that still represents half the menu.
  10. Mar 23, 2016
    67
    Hitch finds them not just following their best and worst tendencies, but beating the listener over the head with them. It’s not the worst way to spend an hour; you just might want to carve out some time for a nap afterwards.
  11. Mar 23, 2016
    61
    At times it almost sounds as if they know they've taken their current sound as far as it can go and seem palpably frustrated they can't figure out their next move.
  12. 60
    While frontwoman Ritzy Bryan remains a force of nature, there’s a lack of eureka moments this time, leaving us with a slow-burner rather than an inferno.
  13. Q Magazine
    Apr 8, 2016
    60
    Five years in, they've still to learn that less can sometimes be more. [Jun 2016, p.112]
  14. Mar 24, 2016
    60
    Tthe Joy Formidable are at their best when they switch off their default setting.
User Score
6.8

Generally favorable reviews- based on 10 Ratings

User score distribution:
  1. Positive: 6 out of 10
  2. Negative: 1 out of 10
  1. Jan 31, 2017
    5
    It just never feels as focused as their last album, and the good tracks like standout Radio of Lips all go on for too long and/or feel likeIt just never feels as focused as their last album, and the good tracks like standout Radio of Lips all go on for too long and/or feel like rehashed versions of their older songs.

    The length is the real problem. Wolf's Law was excellent about keeping songs around just the right amount of time before moving on to the next one, but this album just drags too often. Songs that should be 3 or 4 minutes are 6 or 7 instead, and usually don't have the sonic variation or instrumental leads to keep you interested. I hope their next effort is better.
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