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If Hymn to the Immortal Wind does anything, it establishes Mono’s place among post rock’s top dogs, and for this reviewer, easily gives them the title. Everyone else is just generic or something.
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It’s like listening to a strong feeling that yearns to be vented, but instead is left inside its confining limits, echoing on itself.
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It’s the sound of epic detail in exquisite registration, and Albini perfectly vivifies Mono’s Technicolor wall of sound.
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Hymn feels like the imaginary soundtrack to the film inside your head and is an outstanding work of epic beauty.
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"Majestic" is a word often used to describe Mono, and this record, the band's fifth, will not challenge us to avoid using it.
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Alternative PressHymn's soft-loud spectrum stretches uncommonly far, yielding rare rewards at each end. [May 2009, p.114]
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Those listeners in the middle may find that without anything making it stand out from the bulk of what we’re calling post-rock, Hymns to the Immortal Wind registers as another solid entry in a genre so consistent that merely solid entries aren’t enough to gain your love as well as your respect.
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Hymn to the Immortal Wind has probably caused floods of tears. That's a description, not a dis. The melodies are more sure-handed than ever. They are like missiles locked onto emotional buttons. More independence in the guitars helps sharpen this aim.
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Opener 'Ashes in the Snow' and 'The Battle to Heaven' invoke the CinemaScope bombast of Ennio Morricone, but even their added orchestral heft barely nudges Mono out of a windy, instrumental morass.
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Under The RadarBloated with too much self-absorption, Japan's Mono have lost sight of their original intent. [Spring 2009, p.77]
User score distribution:
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Positive: 21 out of 24
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Mixed: 0 out of 24
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Negative: 3 out of 24
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Aug 4, 2013
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ManuelASJul 9, 2009It's a masterpiece.
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MarinaMJul 9, 2009So awesome, magical and inspiring that brings tears to my eyes!