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I Dont Know Who Needs to Hear This... Image
Metascore
85

Universal acclaim - based on 12 Critic Reviews What's this?

User Score
7.8

Generally favorable reviews- based on 4 Ratings

  • Summary: The second full-length release for singer-songwriter Sarah Beth Tomberlin was recorded over two weeks in Brooklyn with producer and engineer Phil Weinrobe.
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Score distribution:
  1. Positive: 12 out of 12
  2. Mixed: 0 out of 12
  3. Negative: 0 out of 12
  1. May 2, 2022
    100
    Every song on IDKNWTHT is strong on its own merit, but when digested as a whole, the album is overwhelming in the best kind of way that stirs the soul.
  2. Apr 26, 2022
    100
    On i don’t know…, the intentionality and splendour that began to blossom on her 2020 EP Projections are now fully in bloom. Tomberlin holds onto the sonic space that allows her delicate vocals to fly but introduces a host of new sounds, too – pedal steel guitars, brushed percussion, woodwind, twinkling piano.
  3. 90
    I don’t know who needs to hear this… finds Tomberlin firmly stood in the language of her own making. She redefines song structure, alluding to the intrinsically mirrored fashion in which life pans out; like life, far beyond the close, these songs continue to spin.
  4. Apr 29, 2022
    83
    Like all the best songwriters, Tomberlin doesn’t act like she has the answers to the big questions, but knows that simply by being inquisitive she will eventually figure out her own truths, and she’s passing that wisdom along with this record.
  5. Mojo
    Apr 26, 2022
    80
    If 2018's fragile debut At Weddings tended to become lost in the beautifully abstract mists as the Pastor's daughter explored faith and its losses, I Don't Know Who Needs to Hear This... navigates using sharper corners and edges. [Jun 2022, p.84]
  6. Apr 29, 2022
    78
    Vulnerability has powered Tomberlin’s music for years, and “Collect Caller” aside, these songs are sweeter and more inviting than anything she’s done before.
  7. Apr 29, 2022
    65
    The further experimentation of “tap” and the display of raw emotion on “happy accident” prove more successful than i don’t know’s more down tempo moments, even when those mirror the album’s themes more closely.

See all 12 Critic Reviews

Score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. May 29, 2022
    8
    It's just a nice solid album.
    Lyrics are decent and fairly original, vocals are often very pretty. Instrumentation is frequently unusual
    It's just a nice solid album.
    Lyrics are decent and fairly original, vocals are often very pretty. Instrumentation is frequently unusual without being showy.
    Unfortunately it feels very Phoebe Bridgers sometimes. This isn't a bad thing in itself, but I have to dock originality points for that.
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  2. Aug 20, 2022
    8
    Really good indie album from Tomberlin here, I don’t have many complaints except sometimes I am a little bored.