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The WireMay 14, 2024Finlay Clark and David Kennedy ride a similar wave to improv duos like 75 Dollar Bill or Orcutt/Corsano, recalling their own thrilling work on 2020’s Fast Edit. The sliced mayhem of that set is missing here: instead, the group seem to have spent the years working on stitching themselves ever more tightly together. [Jun 2024, p.58]
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MojoMay 14, 2024Chewy but excellent. [Jul 2024, p.95]
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Apr 23, 2024This is a bolder, clearer, preternaturally vivid iteration of their music.
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Apr 12, 2024Here, the trio integrate skeletal post-rock with soul and jazz, deconstructed by a presiding impulse to blur lines between terms or genres, allowing it all to collapse and collide. It’s harmony clashing with disharmony, the musicality of concrete sound.
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Apr 12, 2024The glowering strength of If I don't make it, I love u is in its commitment to both sides of the coin, an album both experimental and laid fully bare — The result is one of the best rock records of the year.
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Apr 12, 2024David Kennedy’s drumming is riveting, both finicky and louche as he sways through Dilla-time funkiness and math-rock detail. Guitarist Finlay Clark is in some ways a minimalist, repeating pretty riffs or expertly chosen chords, but there’s nothing minimal about his generous playing. .... Most astonishing of all is Jessica Hickie-Kallenbach, singing with more power and confidence than ever before. Her luminously soulful voice is a distinctive instrument, with vibrato that makes whole songs shudder with life.
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Apr 12, 2024If I don't make it, I love u is magnificent, the peak of their recorded output to date, the sound of a band solidifying and pushing forward into something genuinely their own. A truly brilliant piece of work.